Adversarial Feelings
Neural Networks are nowadays widely used to detect, classify and reconstruct emotions, mainly in order to map users behaviours and to affect them in effective ways. But what happens when we use Artificial Intelligence to perform human feelings and artistic behaviors? And what if we use it to produce a simulation of subjectivity and its agencies, rather then to affect consumers? Adversarial Feelings is an attempt to inform non-human intelligence with emotional data sets, in order to build an algorithmic intimacy through those intelligent devices. The goal is to observe subjective/affective dimension from the outside, to speak about human emotions as perceived by non-human eyes. Transposing them into a new shape helps Lorem to embrace a new perspective, and to recognise fractured experiences.
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Adversarial Feelings recently won RE:HUMANISM prize (for intersections between AI and Arts) and was shown at Galleria Nazionale di Arte Moderna and Albumarte (Rome), at KEYS (Berlin), and Saturnalia (Macao). The video was screened at Sheffield International Documentary Festival (World Première), on June 10th, 2019.
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LOREM (FRANCESCO D'ABBRACCIO)Director
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LOREM (FRANCESCO D'ABBRACCIO)Writer
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Project Type:Animation, Documentary, Experimental, Music Video, Short, Web / New Media, Other
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Runtime:23 minutes 18 seconds
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Completion Date:April 19, 2019
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Country of Origin:Italy
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Language:English
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Shooting Format:GENERATED BY AI
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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SHEFFIELD INTERNATIONAL DOCUMENTARY FESTIVALSheffield
United Kingdom
June 10, 2019
World
Official Selection -
RE:HUMANISM PRIZEROME
Italy
June 12, 2019
PRIZE WINNER
Lorem is a music-driven multidisciplinary project by Italian musician and visual artist Francesco D'Abbraccio. Working with neural networks and artificial intelligence systems, he produces sounds, visuals and texts.
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Francesco D’Abbraccio is an Italian musician, visual artist and independent researcher. He is active in underground music and art scene since 2008 with electronic experimental duo Aucan (more then 400 live gigs across Europe, Africa and Asia), with the collective Unità di Crisi and recently with his new audiovisual project Lorem. Focusing on politics of representation and transmedial culture, he realised projects for a wide variety of institutions. His work has been exhibited at London Design Biennale, Sheffield International Documentary Festival, Museo Triennale di Milano, Galleria Nazionale di Arte Moderna di Roma, Museo MAXXI (Rome), Fondazione Bevilacqua la Masa di Venezia. He is creative director of Krisis Publishing, an independent publishing and curatorial platform focusing on the impact of media culture on contemporary societies.