Across the Tracks: A Las Vegas Westside Story
"Across The Tracks: A Las Vegas Westside Story" is a documentary film that delves into the rich and untold stories of the historic Westside of Las Vegas. From its humble beginnings to its pivotal role in shaping the city's cultural landscape, this documentary uncovers the vibrant and often overlooked history of a neighborhood that stood at the crossroads of progress, segregation, and resilience.
Through in-depth interviews with local residents, community leaders, historians, and archival footage, "Across the Tracks" paints a vivid portrait of a community that flourished against all odds. The film highlights the 118 year history, from the early days when the Westside, predominantly inhabited by black Americans, served as a safe haven during an era of racial discrimination to today where the efforts of city leaders and dedicated residents are leading the charge for a renaissance.
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Emmett GatesDirector
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Robert PerezCinematographer
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Emmett GatesWriter
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Dewey CooperExecutive Producer
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Berge GarabedianExecutive Producer
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Steven SpannAssociate Producer
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Koby DumasAssociate Producer
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Dale MathisProduction Design
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Sean CarterCGI/SFX Supervisor
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Phillip G. HenryMusic Supervisor/Composer
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Project Type:Documentary
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Runtime:1 hour 54 minutes 44 seconds
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Completion Date:February 7, 2024
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Production Budget:277,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Sundance Film FestivalPark City
United States
January 19, 2024
30 minute screener -
Las Vegas red carpetLas Vegas
United States
February 24, 2024
Las Vegas Premiere
Emmett Gates is an artist, gallery curator and filmmaker. He is a native of Las Vegas, Nevada. His production company, Slicktion Culture productions, founded in 2020 during the pandemic, seeks to amplify the unique historical perspectives and original narratives of Black America.
I'm tired of discussions about black mermaids, a black Santa Claus or a black Superman. I'd rather we create our own, authentic, black American mythologies.