A Dire Strait
Demi has stayed in bed for weeks due to the tradition "Zuo-Yue-Zi", in which Chinese people believe to heal the "broken body" of women after labor and help them produce the most nutritious milk. Although Demi tries to be as cooperative as possible, the weeks-long confinement and endless chicken soup push her to her limit. She desperately needs a break; however, just one misstep spirals into her worst nightmare...
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Liang-Chun LinDirectorStill Rolling
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Liang-Chun LinWriterStill Rolling
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Taylor PolingProducer
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Brandon Clayton NgDirector of Photography
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Christine LiaoKey Cast"Demi"Fine China
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Lee ChenKey Cast"Mother-in-Law"
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Willis ChungKey Cast"Husband"
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Jason WangKey Cast"Father-in-Law"
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Kevin KhorSound Designer
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Apoorva SankarEditor
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Dazzy ShahProduction Designer
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Project Title (Original Language):母侵
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Project Type:Short, Student
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Genres:Thriller, Family, Drama, Women, Horror, Dark Comedy
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Runtime:21 minutes 26 seconds
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Completion Date:June 9, 2022
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Production Budget:22,510 USD
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Country of Origin:Taiwan
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Country of Filming:United States
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Language:English, Mandarin Chinese
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Shooting Format:Digital
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Aspect Ratio:1.89
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - Chapman University
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Dances With FilmsLos Angeles
United States
June 19, 2022
World Premiere
Grand Jury Award -
Dallas International Film FestivalDallas, Texas
United States
October 18, 2022
Southern Premiere
Competition Short -
DisOrient Asian American Film FestivalEugene, OR
United States
March 11, 2023
Pacific Northwest
Best Short Nominee -
Fargo Film FestivalFargo, ND
United States
March 22, 2023
Midwest
Honorable Mention -
Cleveland International Film FestivalCleveland, Ohio
United States
March 22, 2023
Official Selection -
FINE CUTLos Angeles
United States
Official Selection -
FilmQuestProvo, Utah
United States
November 1, 2023
Utah Premiere
Best Director Nominee, Best Actress Nominee, Best Student Film Nominee.
Liang-Chun Lin was born and raised in Taiwan. She earned her BA of Radio and Television at Chengchi University in Taipei and MFA from Chapman University in Film Production, emphasizing on directing. After 9 years of experience in this industry, she now works with both Taiwanese and American productions, as a writer director, a bilingual coordinator, or an assistant director.
Two of her previous short films, YUTAS (2013) and HIS PERFECT DEAD EX (2018), were nominated as Best Student Short and Best Narrative Short in The Golden Harvest Film Festival (biggest short fest in Taiwan) and the recent one, STILL ROLLING, was selected by Los Angeles Asian Pacific Film Festival, Asian American Film Festival, and other Asian focused film festivals. A DIRE STRAIT (2022), which examines the severity of the postpartum custom of "Zuo-Yue-Zi", is Liang's graduate thesis film.
Other than film making, she is also devoted to social issues. Her participation in the LGBTQ+ movement, death penalty abolishment and rural education in Taiwan has made an impact to her films. Liang is currently in development on GRANDMAS' BIKINI, a new feature film focused on the identity crisis and self-recognition of elderly women.
In Taiwan, around 40% of mothers experience postpartum depression. Studies have shown that cultural factors play a crucial role: the tradition of postpartum confinement, the power structure in the family and our arbitrary interpretation of maternity.
A Dire Strait is based on the postpartum custom “Zuo-Yue-Zi.” Although it might be practiced differently in every family, it concretizes the arbitrary standard of a good mother in our culture. This film is a projection of my fear of this judgmental system as an Asian woman.
I have witnessed my mother, her mother, and all other mothers in my family spend their lives struggling. My mother can’t stop talking about how much she was pressured during pregnancy and after giving birth. She had to sneak food into her room, forbade from a fan or even an open window during the steamy summer. “I was having heatstroke and growing heat rash all over my body, although they think I would catch a cold as soon as I take off my sweater.” My mom now laughed about it.
Chinese mothers feel obligated to prioritize family over self-care while also doing it in a “right” way that pleases elders. In order to benefit the family, the fundamental unit in our collectivist belief, women are forced to lose their uniqueness and what they want in life. They not only step into the system but also trim themselves to fit into it. Eventually, mothers see it as an achievement and continue training the next generation to suffer the same way. Many younger mothers nowadays still bear such family pressure.
It took my mom, the most talented woman I know, 30 years to find out what she wanted to do with her life other than being a mother. She privileged me with a lot more freedom and choices than she had. A Dire Strait is my shout-out for her, as well as my first statement to break this chain.