SANDHYA - AN AWAKENING
Sandhya - An Awakening focuses the status of women in a patriarchal village society. It also bears resemblance to real-life instances of gender imbalance and economics, fraternal polyandry, bride buying and rape in remote parts of rural India.
While Indian weddings are a beautiful, soulful affair, filled with ancient traditions and rituals which claim to bond the husband and wife, there are still some traditions that are dated. Keeping up with the times, such wedding traditions and cultures should be done away with as some of these sexist traditions may scar a girl’s mind for life. By showcasing the cause of worry of such sexist traditions, the film is an inspirational story of how a single girl fights against such societal norms to get herself justice.
Shot at real time locations in Meerut, Mawana, Nangla Jamalpur, Deobandh and other parts of western Uttar Pradesh, India, the film comes across as a shocker to those traditional Indian audiences who have grown up on the staple diet of sugar-coated romances and feel-good cinema. You ought to have a strong stomach to absorb a film like Sandhya. With this film, the makers wanted to examine the emotional and psychological impact of a girl in a village society where in the garb of rituals and traditions, fraternal polyandry is a norm with the social pillars even supporting it. Though this story is fictional, it is based on many of the incidents reported in main stream media. Also the central plot of the film is in sync with the recently enforced “Beti Bachao Beti Padhao” movement in India.
The makers say, “To jolt one out of his or her senses, Sandhya is going to make one think as there is nothing intrinsic linking any religion with any act of violence. Evoking a wide variety of emotions - anger, rage, antipathy, disgust, abhorrence, revulsion as well as anxiety, Sandhya is also an eye opener to those who are willing to fight the system and ban the practice. Her exemplary courage can be a pointer that could change girls' lives in such a polyandry and bride buying society. With this film, the makers are trying to reach out to people around the world drawing their attention to support the movement of educating every girl child in India to secure a better future.”
-
MOHAN DASDirectorOpen the Door, Muafinaama, Pragaash
-
MOHAN DASWriterOpen the Door, Muafinaama, Pragaash
-
SUREN KAKKARWriter
-
SUMIT BANSALAProducer
-
ANURAG TOMAR (PRINCE)Key Cast
-
KAUSHIKI RATHOREKey Cast"Sandhya"
-
SUREN KAKKARKey Cast
-
SIDDHANT SOMALKey Cast
-
SUMIT BANSALAKey Cast
-
SANDEEPKey Cast
-
GOURAV CHAUDHARYKey Cast
-
Dinesh GroverDirector of Cinematography
-
Nakkul PrasadEditor
-
Project Type:Experimental, Short
-
Runtime:18 minutes
-
Completion Date:January 1, 2017
-
Production Budget:7,500 USD
-
Country of Origin:India
-
Country of Filming:India
-
Language:Hindi
-
Shooting Format:Digital
-
Aspect Ratio:16:9
-
Film Color:Color
-
First-time Filmmaker:No
-
Student Project:No
-
Darbhanga International Film FestivalDarbhanga
India
January 27, 2017
Indian Premiere
BEST FILM & BEST STORY -
Lakecity International Film FestivalGWALIOR
India
March 31, 2017
OPENING FILM
Best Film on Social Issues & Best Editor
Distribution Information
-
Eon FilmsCountry: WorldwideRights: All Rights, Internet, Video on Demand, Pay Per View, Hotel, Airline, Ship, Theatrical, Video / Disc, Free TV, Paid TV, Console / Handheld Device
Based in Mumbai, India, Mohan Das started off his career in the field of direction assisting legendary directors like Hrishikesh Mukherjee and Tapan Sinha. He later went on to individually do projects that won him 4 times Best Director Award. His films also won Best Story, Best Film, and Best Editor Awards too.
Right from feature films to shorts to documentaries, he has handled it all. Right now he is all set to do a thought provoking film "Nirnay (The Judgement)" that will be premiered in Cannes of 2018.
While Indian weddings are a beautiful, soulful affair, filled with ancient traditions and rituals which claim to bond the husband and wife, there are still some traditions that are dated. Keeping up with the times, such wedding traditions and cultures should be done away with as some of these sexist traditions may scar a girl’s mind for life. By showcasing the cause of worry of such sexist traditions, the film will be an inspirational story of how a single girl fights against such societal norms to get herself justice.
It will come across as a shocker to those traditional Indian audiences who have grown up on the staple diet of sugar-coated romances and feel-good cinema. You ought to have a strong stomach to absorb a film like Sandhya. With this film, we wanted to examine the emotional and psychological impact of a girl in a village society where in the garb of rituals and traditions, fraternal polyandry is a norm with the social pillars even supporting it.