Tourist
A nameless literary magazine book reviewer makes a random decision to leave his home and job and travel to another city, where he gets a job at the Undeliverable Mail Office. As time goes by he becomes increasingly disconnected from reality and experiences depersonalization and dissociation.
-
Temenuga TrifonovaDirectorMan of Glass (2012), La Mort en la mineur/Death in A Minor (2015), L’Uomo EURazionale/Rational Man/ (2015)
-
Temenuga TrifonovaWriterMan of Glass (2012), La Mort en la mineur/Death in A Minor (2015), L’Uomo EURazionale/Rational Man/ (2015)
-
Guillaume DrouauxKey CastLa Mort en la mineur/Death in A Minor (2015), L’Uomo EURazionale/Rational Man/ (2015)
-
Guillaume DrouauxMusicLa Mort en la mineur/Death in A Minor (2015)
-
Temenuga TrifonovaEditingMan of Glass (2012), La Mort en la mineur/Death in A Minor (2015), L’Uomo EURazionale/Rational Man/ (2015)
-
Guillaume DrouauxEditingLa Mort en la mineur/Death in A Minor (2015), L’Uomo EURazionale/Rational Man/ (2015)
-
Temenuga TrifonovaProducerMan of Glass (2012), La Mort en la mineur/Death in A Minor (2015), L’Uomo EURazionale/Rational Man/ (2015)
-
Guillaume DrouauxProducerLa Mort en la mineur/Death in A Minor (2015), L’Uomo EURazionale/Rational Man/ (2015)
-
Project Type:Experimental, Feature
-
Runtime:1 hour 40 minutes 15 seconds
-
Completion Date:January 3, 2017
-
Production Budget:200 EUR
-
Country of Origin:Bulgaria
-
Country of Filming:Czech Republic, France
-
Language:English
-
Shooting Format:Samsung Galaxy S4
-
Aspect Ratio:4:3
-
Film Color:Black & White
-
First-time Filmmaker:No
-
Student Project:No
-
Taranto
Italy
May 21, 2018
World Premiere
Winner Best Feature Film, 2.000 euro 💰 e premio "Kate"🐬 per il miglior lungometraggio
Temenuga Trifonova is Associate Professor of Cinema and Media Studies at York University in Toronto. Trifonova is the author of Contemporary Visual Culture and the Sublime (forthcoming from Routledge in 2017), Warped Minds: Cinema and Psychopathology (Amsterdam University Press, 2014), European Film Theory (Routledge, 2008), and The Image in French Philosophy (Rodopi, 2007). Her articles have been published in The Routledge Encyclopedia of Film Theory, Cinema: Journal of Philosophy and the Moving Image, SubStance, Film and Philosophy, Space and Culture, The European Journal of American Culture, Studies in European Cinema, Rivista di Estetica, CTheory: Theory beyond the Codes, Cineaste, Studies in Eastern European Cinema, CineAction, Cinema & Cie: International Film Studies Journal, Studies in Comics, Quarterly Journal of Film and Video, The Wallace Stevens Journal, Postmodern Culture, Journal of Screenwriting, Scope, Alternative Francophone, Kinema, Senses of Cinema, Interdisciplinary Literary Studies, and in several edited collections. She has been a visiting scholar and/or artist at the American Academy in Rome, the Brown Foundation at the Dora Maar House (France), The Fondation des Treilles (France), and the Pushkinskaya Art Centre in St. Petersburg (Russia). Trifonova is the writer and director of the feature film Man of Glass (2012) and of several short films. Her first novel, Rewrite, was published in 2014 by NON Publishing (Vancouver). Read reviews of Rewrite here:
http://www.publishersweekly.com/978-1-926942-74-2
http://www.quillandquire.com/review/rewrite/
http://www.full-stop.net/2015/02/03/reviews/maia-nichols/rewrite-temenuga-trifonova/
https://alllitup.ca/Blog/2014/Fall-Preview-Week-Day-Four-Andrew-Wilmot-s-Picks
https://www.pinterest.com/AllLitUpCanada/fantastic-first-fiction/
My work explores questions of identity: How do we know who we are? What are the limits of one’s identity? What are the limits of a delusion? Is it possible to escape from oneself? Is it possible to fail at being oneself? My characters often feel they are in control of their lives only to find out that they might not be who they thought they were, or that the world might not conform to their beliefs and expectations.