The Red Room
The Red Room is a representation of different spaces as depicted in literature and moving image, including a meeting room (Strindberg), a haunted room (Wells), and a waiting room (Lynch), where this room is symbolic of inner fears and desires, reflections and imaginations, an in-between and extra-dimensional space, and a satire on life.
Four spaces are revealed in this short video loop - a bedroom and an obscured space kept separated by a glass window; a room flooded by a red light and a room unveiled by a flash of light. While our attention is drawn to the person in picture in this moment of clarity, their identity is further masked, creating an unsettling atmosphere of the unknown.
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Ophelia S. ChanDirector
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Project Type:Experimental
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Runtime:1 minute 4 seconds
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Completion Date:December 25, 2015
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Country of Origin:China
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Country of Filming:China
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Shooting Format:digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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A Great Event is in the Making, But No One has NoticedBeijing
China
January 10, 2016
Ophelia S. Chan (b. 1985 Hong Kong, China) is a practicing artist currently based in Beijing. She has a BA in Fine Art and a MA in Theatre.
Her first major solo exhibition - Phantom Bodies opened in July this year at Intelligentsia Gallery (CN). Her works have also been exhibited in group shows worldwide, such as The Materialist Postscript, Galerie Philine Cremer (DE); Embassies, Refugees, Manifestoes, Proyecto Casamario (UY); Pavilion of Comrades (The Wrong - New Digital Art Biennale), Intelligentsia Gallery (CN) and NEoN Digital Arts Festival (UK).