Selkie
A wayward selkie (a seal that can turn itself into a human) has followed a school of herring up the Delaware river when her seal skin is captured by a man from the Fishtown neighborhood of Philadelphia.
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Amy FrearDirectorAnother Time
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Amy FrearWriter
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Katie StahlKey Cast
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Jordan MottramKey Cast
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Gerardo Salazar BorjaKey Cast
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Shawna AnnableDirector of Photography
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Tayarisha Poe2nd Camera
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Patrick ManganMusicMusical Director, Riverdance
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Matthew KayMusic
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Project Type:Short
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Genres:Fantasy, Magic Realism, Romance, Myth
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Runtime:7 minutes 37 seconds
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Completion Date:August 1, 2016
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Production Budget:600 USD
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Country of Origin:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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St. Francis College Women's Film FestivalBrooklyn, NY
United States
April 4, 2019
Best Professional Narrative -
Mystic Film FestivalMystic, Ct
United States
October 20, 2018
Official Selection -
Drunken Film Festival- Bradford, UKBradford, West Yorkshire
United Kingdom
July 15, 2018
European Premiere
Official Selection -
Women's Film FestivalPhiladelphia
United States
March 18, 2018
Official Selection -
Garden State Film FestivalAtlantic City, NJ
United States
April 1, 2017
Official Selection -
Jim Thorpe Independent Film FestivalJim Thorpe, PA
United States
June 10, 2017
Official Selection -
Trenton Film FestivalTrenton, NJ
United States
April 2, 2017
Official Selection -
Philadelphia Film SocietyPhiladelphia, PA
United States
December 2, 2016
North American Premiere
Official Selection
Amy Frear is a filmmaker and theatre artist from Philadelphia. Her other short films include HUMAN BEING and ANOTHER TIME. Her work utilizes subtle science fiction and fantasy to explore getting lost, connection, theatricality, and silliness overcoming aggression and control.
She is an adjunct professor at Temple University and the University of the Arts.
A "selkie" is a seal that can shed its skin and take a human form. Often in Irish and Scottish mythology, selkies are coerced into relationships with humans when someone steals and hides their seal skin. I decided to set the selkie story in the riverward Fishtown section of Philadelphia in honor of the neighborhood's working class Irish roots and the occasional marine mammal that wanders down the Delaware river from the ocean. Most of all, I wanted to tell a story about the end of an unhealthy relationship.
My work often follows a character trying to fit into a world that is not their own. In SELKIE, a relationship is keeping our title character in a place where she can't be herself. No dialogue is used in the film besides the fisherman's tale in the introduction. It was very important to me to show the silent moments in which we struggle to connect.