The Pit
1941: Two brothers are hunting down a jewish boy and finally trap him in a pit in the forest. The younger brother follows the boy into the pit to finish the deadly hunt - but down there nothing works as planned.
-
Kari HennigDirectorAugenlicht, Antidot
-
Kari HennigWriterAugenlicht, Antidot
-
Ute JansonProducer
-
Laurin KaiserKey Cast
-
Kris MichaelsenKey Cast
-
Moritz RauchKey Cast
-
Marius BlossKey Cast
-
Project Title (Original Language):Die Grube
-
Project Type:Short
-
Runtime:13 minutes 37 seconds
-
Completion Date:May 31, 2016
-
Production Budget:6,000 EUR
-
Country of Origin:Germany
-
Country of Filming:Germany
-
Language:German
-
Shooting Format:DSLM 4K 10Bit
-
Aspect Ratio:2,35:1
-
Film Color:Color
-
First-time Filmmaker:No
-
Student Project:No
-
Barcelona Planet Film FestivalBarcelona
Spain
Best Director -
International Monthly Film FestivalCopenhagen
Best Screenplay -
Nightpiece Film FestivalEdinburgh
United Kingdom
August 19, 2016
UK Premiere -
Two Cliffs Film FestivalRamsgate
United Kingdom
Kari Hennig
Address: Schöne Bunte Filme, Ehrenbürgstrasse 5a, 91301 Forchheim
Born 05. of July 1976 in Forchheim, Germany
Education / Schooling:
1995 Abitur Ehrenbürg Gymnasium Forchheim, Germany
1995 - 1997 Study of computer science at Friedrich Alexander Universität Erlangen / Nürnberg, Germany
since 1996 Production of independent fictional movies
1997 - 2000 Practicum and traineeship at Franken Funk und Fernsehen Erlangen, Germany: ENG-Cameraoperation, E-Camera und commercial production
2001 - 2002 Traineeship at Bavaria Film Munich: TV-Series and TV-Movies production
since 2002 Working independent as cameraoperator and moviemaker
2003 - 2008 Courses in writing screenplay in Berlin and studies of dramaturgy in Hamburg
2009 Foundation of own production company „Schoene Bunte Filme“: ENG-Camera, videoproduction, movie production
"The Pit" ("Die Grube") is about being trapped and how to react to that - it all comes down to dignity and self esteem.
The historical context in which this short film takes place is not very important since the film's subject is (sadly) present always and everywhere.