Gliese 667: The Mirror
A mother heading a household struggles with the dilemma of choosing between succumbing to her imminent death, and defying and fighting the disease at huge expenses for the sake of her two young children and the fate of her family unreservedly depends on her decision.
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TaherehWriterAhmadishad
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AidinWriterEftekhari
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TaherehDirectorAhmadishad
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AidinDirectorEftekhari
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TaherehProducerAhmadishad
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AidinProducerEftekhari
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Project Type:Short
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Genres:Drama
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Runtime:14 minutes 52 seconds
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Completion Date:March 14, 2016
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Production Budget:4,000 USD
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Country of Origin:Iran, Islamic Republic of
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Country of Filming:Iran, Islamic Republic of
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Language:Persian
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Shooting Format:RED
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Cannes short film corner sideCannes
France
May 20, 2016 -
Cambridge Film FestivalCambridge
United Kingdom -
Hamilton Film Festival (HFF XI)Hamilton
Canada -
Fort Lauderdale International Film Festival (FLIFF)Florida
United States -
NewFilmmakers Los Angeles (February 2017) California, U S ACalifornia
United States
February 18, 2017 -
POWFest (March 2017)Oregon
United States
March 17, 2017
Tahereh Ahmadishad was born in Tehran in 1989. after graduation from Azad university of science and research in Tehran and getting her bachelor's degree in sports engineering on 2015, she decided to spring her first filmmaking experience alongside her husband, Aidin Eftekhari and produced her first artwork called Gliese 667 on 2016. eventually, Gliese completed at 14th of March 2016.
Gliese 667 is a mid length trilogy movie about a woman living in three separate parallel worlds. The main character faces adverse circumstances through her sensational challenge in order to choose between her death or life.
Gliese 667 is a mid length trilogy movie about a woman living in three separate parallel worlds. The main character faces adverse circumstances through her sensational challenge in order to choose between her death or life. Despite all restrictions imposed by the Iranian regime which has made this project unallowable, it illustrates a realistic likeness of the struggles of lonely and feeble mothers in Iran. This point is reflected especially in the part one of the trilogy, Ayineh (The Mirror).
Our Ideology of making this project is formed by the experiences of Lev Kuleshov (1899–1970). We decided to narrate triple separate stories with various ordering to achieve different prospect at the stage of comparison. We believe that we have reached this goal at the end of the process.