Experiencing Interruptions?

TECNOMAGIC 1.0

An artistic and documentary record alluding to the appropriation of computer technology tools in shamanic rituals,by addressing ancestral and traditional instrumentalities in the real world and its current redefinition, through experimental hacked in search of a certain cyberespirituality.

  • JOESÉR ALVAREZ
    Director
  • JOESÉR ALVAREZ
    Writer
  • JOESÉR ALVAREZ
    Producer
  • JOESÉR ALVAREZ
    Key Cast
  • Project Title (Original Language):
    TECNOMAGIA 1.0
  • Project Type:
    Documentary, Experimental, Short, Web / New Media
  • Genres:
    EXPERIMENTAL, DOCUMENTARY, ENVIROMENTAL, CIENTIFIC, TECH, TECHNOXAMANISM, XAMANISM, SPIRITUALITY
  • Runtime:
    6 minutes 40 seconds
  • Completion Date:
    August 31, 2015
  • Production Budget:
    10 USD
  • Country of Origin:
    Brazil
  • Country of Filming:
    Brazil
  • Language:
    Portuguese
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    Yes
  • 15º File Hipersônica
    São Paulo
    June 16, 2016
  • 13º Festcineamazonia - Festival Latinoamericano de Cinema Ambiental
    Porto Velho
    October 6, 2015
  • Rencontres Bandits-mages
    Bourges
    November 8, 2016
  • Pipa Film Festival
    Tibau do Sul
    Brazil
    April 6, 2017
  • 1º Hyper Hybrid Festival
    Munich
    Germany
    November 30, 2017
Distribution Information
  • ACME Films
    Country: Brazil
    Rights: All Rights
Director Biography - JOESÉR ALVAREZ

Born in Rio de Janeiro,RJ, 1962. Live and work in the Amazon (Rondonia) since 1982. Creator and Collective Coordinator Madeirista, and Coordinator of ACME Culture Points, operates mainly in the following themes: net.art, network, and film digital video, urban interventions, site specific, performance, photography, literature, engraving, graphic design, ceramics, artivism, intangible heritage and cultural production.

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Director Statement

Our filmic look is about people and events of our time, we try to make films that can multiply or look at the world, sometimes in a poetic way, other times in a raw way. In our view, each film has a good gestation time until it is ready, then, after we mature, we can share our fruits with people and let them go their way in the world.