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Study of Space

"Study of Space" is an experimental film, a kind of essay dedicated to the movie space. Shots are vibrating, dirty, without the poetic correctness. Labyrinthine space around us seemingly unrelated places interspersed with close-ups of the rest of the natural world. Film inspired by the work of SEnsory Ethnography Lab and prose of Haruki Murakami.

  • Agata Wypych-Skonieczny
    Director
  • Agata Wypych-Skonieczny
    Writer
  • The Mouse House
    Producer
  • Jerzy Wypych
    Music
  • Project Type:
    Experimental, Short
  • Runtime:
    8 minutes 48 seconds
  • Completion Date:
    April 20, 2016
  • Country of Origin:
    Poland
  • Country of Filming:
    Germany, Poland
  • Language:
    German
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
Distribution Information
  • The Mouse House
    Country: Poland
    Rights: All Rights
Director Biography - Agata Wypych-Skonieczny

Film expert, producer, culture animator. A graduate of film studies at the Jagiellonian University. Co-organizer of concerts of the "Space of Freedom" cycle in the Gdansk Shipyard: Jean-Michel Jarre and David Gilmour and concerts of Jan Garbarek, Leszek Możdżer Adam Makowicz, Grzegorz Turnau, Stanislaw Soyka, Katarzyna Groniec. For many years associated with Teatr im. Wojciech Theatre in Kalisz, where she worked as a manager for promotions and publications, as well as a cu-rator and co-editor of publications. Co-producer of seven editions of Kaliskie Spotkania Teatralne and approx. 40 theatre premiers. Prize of the Mayor of Kalisz for achievements in the field of dis-semination of culture and national heritage in the 2010/2011 cultural season (promotion and cultur-al animation category). She works with cultural projects aimed at combating social exclusion of people with intellectual disabilities, including Unusual pictures, Butterflies for Rozie (Motylki dla Rozalki).
For many years, space in film has be in the circle of her interests, and its perception, understanding and influence on the reception of the film by the viewer. Favourite topics include how to change the space into place, the impact on the perception of sound and graphic concept of the frame, es-pecially in auteur cinema but also in independent movies. She is the author of the thesis about space in movies with the movie Pi Darren Aronafsky'ego as an example, under the guidance of prof. dr Jacek Ostaszewski at the Institute of Audiovisual Arts.

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