The Sunken Convent
A man wakes up, he goes to work, he eats in, he does a bit of home surgery, he drives to the woods.
Told without words and loosely inspired by the tale by Hans Christian Andersen, 'The Sunken Convent' is a grotesque and slightly surreal story of bad habits.
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Michael PanduroDirector
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Michael PanduroWriter
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Jón HammerProducer
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Claus FlygareKey Cast
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Camilla WikkeKey Cast
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Snorre RuheDirector of Photography
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Sune KaarsbergSound
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Zofia MadejProduction Design
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SODA ApsMake-Up Effects
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Project Title (Original Language):Det Sjunkne Kloster
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Project Type:Short
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Genres:Drama, Horror
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Runtime:15 minutes 20 seconds
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Completion Date:March 31, 2016
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Production Budget:15,000 EUR
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Country of Origin:Denmark
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Country of Filming:Denmark
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Shooting Format:RED
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Imagine Film FestivalAmsterdam, The Netherlands
April 16, 2016
World Premiere -
Grossmann Fantastic Film and Wine FestivalLjutomer
Slovenia
July 12, 2016
Slovenian Premiere -
LatronicHorror Film FestivalLatronico
Italy
July 18, 2016
Italian Premiere
Best Cinematography -
BUSHO Film FestivalBudapest
Hungary
August 30, 2016
Hungarian Premiere -
OFF - Odense International Film FestivalOdense
Denmark
August 29, 2016
Danish Premiere -
Cinefantasy IFFFSao Paulo
Brazil
September 6, 2016
South American Premiere -
HorrorHound Weekend Film FestivalIndianapolis, Indiana
United States
September 9, 2016
North American Premiere -
Feratum Film FestTlalpujahua
Mexico
October 5, 2016
Mexican Premiere
Best Int. Short Film -
ScreamfestLos Angeles, California
United States
October 18, 2016 -
Art City Short Film FestivalBuea
Cameroon
October 26, 2016
African Premiere -
Grimm Up NorthManchester
United Kingdom
October 7, 2016
UK Premiere -
Celluloid ScreamsSheffield
United Kingdom
October 27, 2016 -
Requiem Fear FestMontral
Canada
October 29, 2016
Canadian Premiere -
Spooky Movie Film FestivalWashington DC
United States
October 7, 2016 -
Asiana Int. Short Film FestivalSeoul
Korea, Republic of
November 6, 2016
Asian Premiere -
CucalorusWilmington, NC
United States
November 9, 2016 -
Monster FestMelbourne
Australia
November 29, 2016
Australian Premiere -
Knoxville Horror Film FestivalKnoxville
United States
October 19, 2016 -
San Sebastian HAFFFSan Sebastian
Spain
October 30, 2016
Spanish Premiere -
Terror CordobaCordoba
Argentina
October 30, 2016
Argentinian Premiere
Special Mention, Best Actor, Claus Flygare -
A Night of HorrorSydney
Australia
December 2, 2016 -
Paris Int. Fantastic Film FestivalParis
France
December 8, 2016
French Premiere -
BogoShorts Int. Short FFBogota
Colombia
December 8, 2016
Colombian Premiere -
Eindhoven Film FestivalEindhoven
Netherlands
December 8, 2016 -
FantasturkaAnkara
Turkey
December 10, 2016
Turkish Premiere -
Macabre Faire Film FestivalSyracuse
United States
January 14, 2017 -
Courts Mai Trash Short FFBruxelles
Belgium
January 31, 2017
Belgian Premiere -
Clermont-Ferrand Short Film FestivalClermont
France
February 4, 2017 -
Meme Pas Peur Fantastic Film FestivalReunion Island
France
February 25, 2017 -
Landshut Short Film FestivalLandshut
Germany
March 9, 2017
German Premiere -
Independent Days Film FestivalKarlsruhe
Germany
April 4, 2017
With a background in commercials and music videos, Michael's most noticeable works are a string of music videos for bands like Napalm Death, Cephalic Carnage and Job For a Cowboy - some of which have pushed the boundaries of gore and good taste. He has won a number of awards, has been nominated for a Méliès d'Argent twice and screened at festivals like Raindance, CPH PIX and Animafest Zagreb.
The first time I read Hans Christian Andersen's reworking of Gottschalk's 'The Sunken Convent',
I was fascinated by the short story. It has a peculiar feeling of impending doom, which
we've tried to match in this very free adaptation.
I'm fascinated by how we as people apparently crave our own demise. How our actions often
prefer habit over logic despite sometimes fatal consequences. A great example is our handling
of the environment. Despite all our knowledge of the subject and a number of possible
solutions already established, our planet is still as doomed as it was the first time we learned
about climate change and global warming. We know how to change things in the right direction,
yet we do nothing. This paradox intrigues me.
'The Knight' in the story becomes a grotesque picture of these patterns of behaviour. A man
so stuck in old habits, that he actively weighs himself down - a selfdestructive dinosaur. As
such, you could say that the film is a satire on modern day apathy - a film about how human
nature will undoubtedly lead to our demise.