Witch-hunt Diaries
In the tribal belts of India’s Northeast, a 48 year-old widow is branded a witch and brutally lynched by her own people. In another part of the region, a witch-hunt survivor, banished from her own village for over 10 years, prepares to reclaim her life lost in superstition. Witch-hunt Diaries is the story of these two women, caught in a terrifying, medieval ritual that claims over a hundred lives in India every year.
As the film moves between a murder investigation and a real-time rehabilitation, it takes the viewers into a secret world, where centuries-old belief systems continue to be sacred. It reveals a land of magic and mystic rituals – where sorcerers cast spells, deities possess devotees, and witchdoctors turn into witches. It also sets up a clash of 2 worlds - where science often collides with the supernatural, and the rationalist questions the believer.
Undercover Asia - Channel News Asia’s award-winning investigative series returns for a third season to expose the secret underbelly of Asia. Through in-depth, hard-hitting documentaries that explore untold stories of crime, violence and injustice lurking within the hidden fabric of our own societies! As part of this series, Witch-hunt Diaries journeys into the heart of darkness and intrigue to reveal the sins, sorcery and superstition of India’s witch-hunts!
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Mayurica BiswasDirectorUndercover Asia: Voices Under the Mango Tree
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Mayurica BiswasWriter
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Joshua WhiteheadWriter
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Mok Choy Lin (Commissioning Editor)Producer
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Mayurica BiswasKey Cast
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Project Type:Documentary, Television
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Genres:Investigative, Social Issue, Human Interest, Gender Violence
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Runtime:52 minutes
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Completion Date:January 26, 2016
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Country of Origin:India
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Country of Filming:India
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Language:English
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Shooting Format:HD
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
Mayurica Biswas is an Indian journalist and multi-award winning broadcast television writer-director-producer, with 16 years of experience in creating factual & non-fiction content.
She is the Founder | Creative Director of Storyteller Films. She has just completed Witch-hunt Diaries (2016), commissioned by Media Corp’s Channel NewsAsia, Singapore as part of the critically acclaimed investigative series ‘Undercover Asia’.
Her company's first commissioned production - Undercover Asia: Voices under the Mango Tree (2015) revisited the mysterious death of 2 cousin sisters who were found hanging from a tree. With extensive access to the families of victims, perpetrators and Federal Investigators, the story revealed some of the most disturbing mindsets and social norms that perpetrate gender violence in India today. The film won the Best Documentary Feature at the Los Angeles Cinema Festival of Hollywood, the Award of Excellence (Social Justice) at the Accolade Global Film Competition and was selected to screen at the Jaipur International Film Festival & the Tirana International Film Festival, 2015.
As a Creative Director in the factual space, Mayurica has written and directed several documentaries that have been commissioned and distributed worldwide for AETN, National Geographic, History TV and others. Her documentaries range from True Crime & Terror Investigations to Mega Engineering, Science & Military to Social issues and Indian Cinema. Some of her award winning directorial projects include Inside Mumbai Terror Attacks (NGCI -2009) which revisited the world’s biggest terror attack after 9/11 on its first anniversary; a series of true-crime South-east Asian who-dunnit documentaries for A+E's Crime & Investigation Network that range from Hong Kong’s first serial killer (The Jars Murderer, 2010) to Thailand’s Jack-the-Ripper (The Masseuse Murders, 2011); Bollywood@100 - a 6 part documentary series celebrating 100 years of Indian Cinema (History TV,2013); India Innovates on emerging Indian technologies (Ministry of External Affairs – 2007); Line of Duty - an 18 part series about life on India’s frontlines including the world’s highest battlefield, the Siachen glacier (TIMES NOW).
Mayurica Biswas lives with her husband and daughter in Mumbai, India.
WITCH-HUNT DIARIES: THE TRUTH BEHIND THE SINS, SORCERY & SUPERSTITION OF INDIA'S WITCH-HUNTS
Witch-hunt Diaries, an investigative documentary on a brutal witch-hunt murder in India’s Northeast, premiered on Channel NewsAsia on January 26, 2016. Produced by Storyteller Films, it is part of Undercover Asia – an award winning series that features in-depth, hard-hitting documentaries that explore untold stories of crime, violence and injustice lurking within the hidden fabric of our own societies. As part of Undercover Asia Season 3, Witch-hunt Diaries journeys into the heart of darkness and intrigue to reveal the sins, sorcery and superstition of India’s witch-hunts.
Why did we choose to make a documentary on India’s witch-hunts?
Few people know that witch-hunts continue to haunt the tribal belts of India. It’s triggered by a centuries-old belief in the power of the witch and tragically claims over a hundred lives every year. The victims are mostly women, brutally murdered by their own people. Thousands more suffer tremendous physical & psychological abuse – stigmatised, tortured, either ostracised and forbidden social contact or forced to live in hiding.
We head out to the tribal belts of Assam where a 48 year-old widow is branded a witch and brutally lynched by her own people. In another part of the region, a witch-hunt survivor, banished from her own village for over 10 years, prepares to reclaim her life lost in superstition. Our documentary Witch-hunt Diaries is the story of these two women, caught in a terrifying, medieval ritual that claims over a hundred lives in India every year.
As the film moves between a murder investigation and a real-time rehabilitation, it takes the viewers into a land where ancient systems continue to be sacred. It reveals a land of magic and mystic rituals – where sorcerers cast spells, deities possess devotees, and witchdoctors turn into witches. It also sets up a clash of 2 worlds - where science often collides with the supernatural, and the rationalist questions the believer.
Why Assam?
Although Assam is a melting pot of diverse identities and ethnicities, there is a deep-rooted belief system that's part of Assam's social & religious fabric. It is therefore as much a land of conflict, as it is of magic and mystery. This adds an intriguing layer to the traditional narrative of the Indian witch-hunt, which we were keen to explore.
We also realised that this is a place where science collides with the supernatural. In order to strike a balance between the rationalist and the believer, it was important to draw the line between this sacred ancient belief system, and its exploitation to suit deeper, sinister motives. These nuances would have only been possible in a story set in Assam.
But more importantly, we chose Assam because witch-hunt convictions were close to nil here. Anti witch-hunt crusaders were pushing for a strict anti witch-hunt law in the state. Towards the end of 2015, their efforts paid off, forcing the government of Assam to pass one of the strictest anti witch-hunt laws in the country, making any offence under the Act non-bailable, cognizable and non-compoundable. The state's law enforcement agencies too have now been given teeth to deal with such cases. We wanted to examine the efficacy of this law at the field level - for instance, would it be able to discern between the traditional belief system and its extremism which manifests in the social evil of witch-hunting? More importantly, can witch-hunt victims and their families truly expect justice, closure and deterrence?
On Location - Behind the Scenes
We went in expecting hostility - given that we were investigating a witch-hunt murder in a village, where many were part of the mob that lynched the victim. We knew we had to get to the truth of who and what led to the witch-hunt, without antagonising the people involved. We decided to go ahead without any formal protection, so as to maintain the sense of an independent investigation. Also, this was in the heart of an insurgency belt, where the local police measured their steps. The filming therefore, had to as non-intrusive, and observational as possible.
But as we spent time there, and got to know the people involved, it drove home the point that witch-hunts spare no one. We discovered that behind every witch-hunt lies a story of complex social dynamics and ruined lives. There are no winners here. It was heart breaking to see how allegations of witchcraft drove daggers between mothers and daughters. Clearly, this is a world where the belief in witchcraft is stronger than witchcraft itself.
It was also fascinating to be filming in this space where magic and supernatural is ubiquitous. One of our most intriguing shoots was when a local faith healer not only agreed to let us film his secret rituals, but also wanted to conduct an experiment on volunteers from our crew. He said that he would try transferring the spirit of the ‘Gods’ into them, and they would then go into a trance. This was an opportunity we could not pass. So we headed to his place well after midnight, where he had already set up for the ‘experiment’. While the experience was undoubtedly eerie and exciting, the result of the 2 hour-long séance were ambiguous to say the least.
Our crew volunteers, though completely in their senses did admit to feeling a light, ‘unnatural’ tremor, while a stranger who was also a part of the experiment, did indeed go into a very violent trance-like state. He may or may not have been a plant. According to the faith healer, our volunteers lacked faith and were perhaps not open of surrendering to the spirit, or did not believe in the idea of spirit transfer, and therefore the results were not the same. This experiment unfortunately did not make it to the final cut of the film.
The other story in the documentary – that of the real time Rehabilitation of a witch-hunt victim in Goalpara, was one of our most challenging shoots, at the fag end of the schedule. We hit a sudden roadblock when the local police in an unexpected volte-face, refused to accompany the Rehab team to the victim’s village. They had originally agreed to help the victim negotiate truce with the hostile villagers who had banished her from their village. The victim hoped that with formal police intervention, the villagers would allow her to reclaim her life lost in superstition. However, the police's lack of support completely jeopardized the Rehab Mission and the safety of the team. The Police even warned us not to go ahead as it could potentially snowball into a dangerous law and order run-in with an angry mob. But with so much at stake and witch-hunt victim hoping to rebuild her life again, we decided to continue with the Operation. Our best bet was to convince the Village Chief to align with us, hoping that it would buy us our insurance. Fortunately for us, he agreed to facilitate the meeting.
Can witch-hunts be taken up a central subject and be declared illegal in India? Can the law be sensitive enough to discern between a belief system and its exploitation for vested interest through social evils like witch-hunts?
Given that faith healing is a part of the social fabric, and that faith healers hold hold tremendous clout in the region, it would be beneficial to get them to complement modern medicine, instead of being at loggerheads. This has to be a systemic effort.
Need to also systematically carry out a detailed grid wise geographical survey of the region to locate natural sources of radio-active elements in the region, that can even be mined as an asset.
Channelize the social bonding of the region for constructive community building activities instead of witch-hunts etc.
Need for education, medical facilities and better infrastructure.