PIERPAOLO

Production Notes
About PierPaolo
OVERVIEW OF MY WORK:
My latest film is titled PIERPAOLO, a very special biography of the poet, writer and filmmaker Italian Pier Paolo Pasolini, focused, through fiction and documentary, in your life of childhood and adolescence, before the character became worldwide famous. It has been a work of great route, with filming in Italy in towns and cities of this vital significant period portray, focusing on relaci'pn with his parents, brother and many loves both female and male who forged his dramatic existence with tragic final. It was two years of filming in Italy, plus several months of filming in Spain for fiction or dramatized sequences on his life. Thus, the style of the film could be considered into the rules of filmmaking and completely away from the TV "report" misnamed today as Documentary. The documentary is an art major in film and as such it claims PIEREPAOLO, who aspires to be a work of art, or arthouse open to any ñavido audience of creative, stylistic, human feelings, and full of interest in the world that we live.
Therefore, within this amalgam of sensations and emotions, is where PIERPAOLO finds its particular aesthetic, or "style" or "way of being" as film claiming artistic above all, and especially of a current commercial industry film that devours any trace of arthouse cinema. We have tried to convey the feelings to the viewer through the plastic language as an art major is the 7th Art.
It is an independent production, almost a miracle of tenacity and the desire to make films despite all industrial problems that clog the exit to the world of filmmakers with creative interests seeking further work on the renewal of cinematographic language that currently he has forgotten so decisive role it plays in the drama of movies.
Hopefully PIERPAOLO find their place in viewers and all those who passionately love the work of artists and great creators in this case is Pier Paolo Pasolini.

Shot in the places of Pasolini and youth, the film is a look of love , harvest, intimate, she whispered , " mystical" , which gives us the opportunity to hear the poignant voices of the poet's mother , of her beloved Toni , the cousin Nico Naldini , and feeling " en diary " , at any time , with even more strength and commotion her presence - absence that accompanies us .
"I'm so absorbed in everything , Pier Paolo , that I realized how much I am happy with your presence . There is no more pain. There is no death . There is a close connection with your life , with the blood of your veins , with the meat of your body . There has never been anything but life in your portrait. "

Girato nei luoghi dell’infanzia e della giovinezza di Pasolini, il film è uno sguardo d’amore, raccolto, intimo, sussurrato, “mistico”, che ci offre l’occasione di ascoltare le voci struggenti della madre del poeta, del suo amato Toni, del cugino Nico Naldini, e di sentire “en diario”, in ogni momento, con ancora più forza e commozione la sua presenza-assenza che ci accompagna.
“Sono tanto assorto in tutto ciò, Pier Paolo, che non mi sono accorto di quanto sono felice della tua presenza. Non c’è più dolore. Non c’è morte. C’è un’intima corrispondenza con la tua vita, con il sangue delle tue vene, con la carne del tuo corpo. Non c’è mai stato altro che vita nel tuo ritratto.” ( Miguel Angel Barroso)
Monica Contini.
Mi última película se titula PIERPAOLO, una biografía muy especial sobre el poeta, escritor y cineasta italiano Pier Paolo Pasolini, centrada, a través de la ficción y el documental, en su vida de infancia y adolescencia, antes de que el personaje se hiciera mundialmente famoso. Ha sido un trabajo de gran recorrido, con filmaciones en Italia en los pueblos y ciudades significativos de este periodo vital que retratamos, centrándonos en la relación con sus padres, hermano y diversos amores tanto femeninos como masculinos que forjaron su dramática existencia con trágico final. Fueron dos años de rodaje en Italia, más varios meses de rodaje en españa para las secuencias de ficción o dramatizadas sobre su vida. De tal manera, que el estilo de la película podría considerarse inscrito en las reglas de la creación cinematográfica y totalmente alejado del "reportaje" televisivo mal llamado en la actualidad como Documental. El documental es un arte mayor dentro del cine y como tal lo reivindica PIEREPAOLO, que aspira a ser una obra de arte, o cine de autor abierto a cualquier público ávido de sensaciones creativas, estilísticas, humanas, y llenas de interés por el mundo en que vivimos.
Por tanto, dentro de esta amalgama de sensaciones y emociones, es donde PIERPAOLO encuentra su particular estética, o "estilo" o "modo de ser" como cine que reivindica lo artístico por encima de todo, y sobre todo de una industria comercial actual del cine que devora cualquier atisbo de cine de arte y ensayo. Hemos intentado transmitir las sensaciones al espectador a través del lenguaje plástico de un arte mayor como es el 7ª Arte.
Es una producción independiente, casi un milagro de la tenacidad y las ansias de hacer cine a pesar de todos los problemas industriales que taponan la salida al mundo de los cineastas con intereses creativos que buscan seguir ahondando en la renovación del lenguaje cinematográfico que en la actualidad ha olvidado el papel tan decisivo que tiene en la dramaturgia de las películas.
Ojalá que PIERPAOLO encuentre su sitio en los espectadores y en todos aquellos que amen apasionadamente la obra de los artistas y grandes creadores como en este caso es Pier Paolo Pasolini.