A clone worker is forced to chose between the woman he loves and the reason for which he was created in this stylish dystopian sci -fi short.

  • Aaron Bevan Bailey
  • Dan Horrigan
  • Jamie Pigott
  • Jamie Pigott
    Key Cast
    Monarch of the Glen, Sea of Souls, Lip Service, The Bill
  • Project Type:
  • Runtime:
    14 minutes
  • Completion Date:
    March 25, 2015
  • Production Budget:
    7,000 GBP
  • Country of Origin:
    United Kingdom
  • Country of Filming:
    United Kingdom
  • Language:
  • Shooting Format:
  • Aspect Ratio:
  • Film Color:
  • First-time Filmmaker:
  • Student Project:
  • Sci Fi London Film Festival
    June 1, 2015
  • Hollyshorts
    Los Angeles
    August 15, 2015
  • Shuffle Film Festival
    August 7, 2015
  • Sunscreen Film Festival West
    Santa Monica , California
    October 6, 2015
  • Irish National Science Fiction Film Festival
    Dublin, Ireland
    October 9, 2015
  • Accolade Film Festival
    September 9, 2015
    Award Of Excellence
  • Best Shorts Competition
    La Jolla, California
    September 22, 2015
    Award Of Excellence, Best Actor Jamie pigott
  • Rolling Frames Film Festival
    Bangalore, India
    October 24, 2015
Director Biography - Aaron Bevan Bailey

I started my Career in film storyboarding and was always really into comics like 2000ad and Sin
City, growing up. I think this gave me a really good training in how to visually tell a story. I also
used to work as an art director which taught me what you can achieve with some painted
cardboard and string. With film I was always attracted to the transformative power and escapism
of the medium, how the right props and framing out the c-stands and gaffer tape can immediately
transport you hundreds of years into the future or the past. My parents were both in show
business, I spent a lot of time in theatres backstage as a kid. I was always more fascinated with
the smoke and mirrors that suspend peoples disbelief than actually performing myself. I see
myself as an Artist first and a filmmaker second with my films as a narrative extension of my

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