High-Land
A college senior monopolizes the on-campus drug scene to pay his tuition after his father abandons him, unperturbed by the long-established cartel presence in the area.
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Eric HinwoodDirectorCarpe Diem: European Escapade
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Vishal KolarWriter
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Joseph EvansProducer
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Sean KennyKey Cast
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Christian MohnKey Cast
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Collin McDowellKey CastCarpe Diem: European Escapade
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Pablo GomezKey Cast
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Ryan RichardsonKey Cast
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Angel SandovalKey Cast
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Maleek GriffithKey Cast
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Chloe DiazKey Cast
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Ambar KaiserKey CastTears in the Night
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Eric HinwoodEditor
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Aaron ShiEditorSilent Goodbye
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Eric HinwoodCamera Operator
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Alex HackworthDirector of PhotographyThe Smiling Stone
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Vishal KolarAssociate Producer
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Peter LamComposer
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Kevin DiazComposer
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Timothy O'MalleySound Mixer
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Josh KehBoom Operator
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Joseph EvansBoom Operator
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Project Type:Short
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Genres:Thriller, Drama
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Runtime:11 minutes 6 seconds
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Completion Date:January 3, 2019
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Country of Origin:United States
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Country of Filming:United States
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Language:English, Spanish
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Shooting Format:HDV
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
Eric Hinwood, a Salinas native who began making movies at 7 years old with a home video camera, co-founded an independent film production company, ATAEC Studios, that garnered immediate success for the young actor/filmmaker. Eric Hinwood graduated from the HARA Motion Picture Conservatory's Script-to-Screen program, shot his first feature film, a European travel comedy, which secured international distribution through Amazon Prime, and began attending Whittier College. However, he fell off a cliff half-way through his sophomore year, during which he suffered from two hemorrhagic strokes, multiple brain contusions, spinal compression, hearing loss, and many other injuries. He was slowed down by recovery for quite a while, but managed to go back to school and even shoot his second European feature later that year. The timing had to be perfect, but with 3 months in London and 4 in Paris, and many trips to other areas, Hinwood was able to study abroad and complete principal photography on the film. Upon returning to the US, Hinwood finished his studies and graduated with a B.A. in Film Production and Business, a B.A. in French Language and Literature, and a minor in Spanish. The day after commencement he was hired to direct his first US feature film, a narrative fiction drama/thriller about Syria and other human displacement crises, and immigration. Hinwood was passionate about these topics because his godfather was born and raised in the Middle-East and his grandmother was an immigrant from Mexico, so he returned to his hometown to make the film. After this production was completed, much like before graduation, he returned to LA to do freelance work in different crew positions while signed with talent agencies, and even began working as a film consultant from time to time. As the head of ATAEC Studios, Hinwood continues to act, direct, produce, edit, shoot, and model in Los Angeles.
This film was made because lots of people dabble with ways to make money quickly without considering the consequences of their actions. Times are tough, things are expensive, and people are desperate to get by. High-Land is the result. The struggling college student/dropout is more and more common and still rarely represented in media, and the lines between gang affiliation and higher education become blurred. I knew many people who dealt to help pay their way, and this is a magnified example of that and it's repercussions in the form of an unlikely dealer. Having received my B.A. and having grown up in Salinas, a hub for gang violence, I knew how I wanted these contrasting lifestyles to look and feel in juxtaposition to each other. Teaming up with East Los Angeles rapper MarkAV and film composer Peter Lam, each had a unique sound as well. This film speaks on the current state of affairs as higher education costs rise and drug abuse rises as well.