Speechless
Three stroke survivors struggle to regain their life after the loss of communication skills. Through their story we witness a quest for happiness and the real meaning of human communication.
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Guillermo F. FlorezDirectorZindabad!
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Guillermo F. FlorezProducerZindabad!
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Ariadna Seuba SerraProducer
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Neal WeismanExecutive ProducerTrue Stories, Let's Talk About Sex
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Guillermo F. FlórezCamera, Sound & EditingZindabad!
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Amitabh JoshiAdditional CameraTashi's Turbine, Stranded by the Moon
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Ariadna Seuba SerraAdditional Camera
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Erik SpinkAdditional SoundTashi's Turbine, Stranded by the Moon
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Todd McGrainAdditional SoundThe Lost Bird Project
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Ariadna Seuba SerraAdditional Sound
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Shihui YeAdditional Sound
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Mike NugetColoristFahrenheit 9/11
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Randy MatuszewskiRe-recording MixerTrue Detective, Muscle Shoals,
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Gonzalo ZumalacárreguiDesign
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Jordi NavarroDesign
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Sara González SolaDesign
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Miloš Vacík and Sluneční orchestrMusic
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Bobby McFerrinMusicDon't Worry Be Happy, Wall-E
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Kenneth LouisMusic
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Thiago TiberioMusicAir: The True Memoirs of Gil C. Alicea
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Project Type:Documentary, Feature, Student
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Runtime:56 minutes
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Completion Date:May 20, 2015
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Production Budget:121,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Black & White and Color
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First-time Filmmaker:No
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Student Project:Yes
Founder of Studiobaba productions (www.studiobaba.eu), an independent production company established in Spain, France and India.
In 2009 Guillermo is awarded with the Ruy the Clavijo Fellowship by Casa Asia Barcelona to produce a film in India, and in 2012 he receives the La Caixa Foundation Fellowship (Spain) to pursue a master in documentary filmmaking in the U.S. (School of Visual Arts). He is currently based in New York City, where he directs documentaries and works as freelancer for other productions in the U.S., Latinamerica, Africa and Europe.
Aphasia is a brain injury that affects language and communication, and is most commonly due to a stroke. It is suffered by 1 million people in the U.S., although only few people have ever heard of it.
This is not only a film about aphasia, but a story about human relationships and about the social consequences of the loss of communication. I have arrived to the conclusion that cinema is the best artistic expression to picture the lack of words, because it opens a new landscape of possibilities that have not been explored.
It may not be clear if the main characters win or loose in their own struggle against the lack of words, if they have been able or not to regain their previous lives, but it's in their fighting when they find their dignity -and we find our best portrait.