Private Project

EVERY BEAUTIFUL THING

Two sisters trying to forget their troubled past must deal with a cruel mother close to death. Stars HBO's Lauren Weedman, Suzy Hunt and Dylan Nichole Bandy, with a score by Trey Gunn, featuring Bob Dylan's 'Not Dark Yet.' EVERY BEAUTIFUL THING was created by a mostly female cast and crew, and is supported by women and those who want to see women's stories on the screen.

  • Sonya Lea
    Director
  • Sonya Lea
    Writer
  • Warren Etheredge
    Producer
  • Sonya Lea
    Producer
  • Lauren Weedman
    Key Cast
    THE GAMBLER, DATE NIGHT, HUNG, TRUE BLOOD, LOOKING, ARRESTED DEVELOPMENT
  • Dylan Nichole Bandy
    Key Cast
    THE LOST, THE JOGGER, THE MAN IN THE SUIT, STRANGERS IN A SONG
  • Suzy Hunt
    Key Cast
    ANOTHER WORLD, FREEDOM
  • Hans Altwies
    Key Cast
    THE DIARY OF ELLEN RIMBAUER, TOUCHY FEELY, NOTHING AGAINST LIFE
  • Tim Gouran
    Key Cast
    GRIMM, THE LIBRARIANS
  • Project Type:
    Short
  • Runtime:
    11 minutes
  • Completion Date:
    July 5, 2014
  • Production Budget:
    10,000 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    RED
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
  • Post Alley Film Festival
    Seattle, WA
    October 1, 2015
    Seattle Premiere
    Emerging Director Award
  • Moondance Film Festival
    Boulder, CO
    September 30, 2015
    Composer, Score Award
  • Chain NYC Film Festival
    New York City
    July 9, 2015
    North American Premiere
  • Louisville International Film Festival
    Louisville, Ky.
    October 9, 2015
  • Northwest Film Fesival
    Portland, OR
    November 14, 2015
    Judge's Award for Direction
  • Canada Shorts Film Festival
    National
    November 1, 2015
    Canadian
    Award of Distinction
  • Richmond International Film Festival
    Richmond, Virginia
    February 5, 2016
Director Biography - Sonya Lea

Sonya Lea is a screenwriter, memoirist, and essayist. She has received three screenwriting awards, including being named a Nicholl Fellowship finalist. Lea wrote, directed, and produced her first film, EVERY BEAUTIFUL THING (2015,) which has shown at festivals, and won several awards. Seattle’s festival of women’s films named her Emerging Director, and Lea also won Judge’s Awards for Direction in the Pacific Northwest and Canada, and nabbed three recognitions for score. Lea’s cast, crew and donors were seventy percent women.
Lea’s memoir, Wondering Who You Are, (Tin House, 2015,) is about her husband losing the memory of their life. The memoir garnered praise in Oprah Magazine, People, NPR’s Weekend Edition, Booklist, and the BBC, who named it a “top ten book.” The memoir won an international memoir prize and an Artist Trust Award.
Her essays have appeared in Salon, The Southern Review, Brevity, Guernica, The Prentice Hall College Reader, Good Housekeeping, The Los Angeles Book Review, The Rumpus and The Butter. Lea teaches writing privately, at Hugo House in Seattle, and she specializes in mentoring trauma survivors, as well as those who heal the suffering of others. Lea led a pilot project to teach writing to women veterans through Tom Skerritt’s Red Badge Project. She is a keynote speaker to brain injury groups internationally, and she speaks at universities, conferences and other events, including the Association of Writer’s Programs, Cork (Ireland) Writer’s Festival, and more. A sixth-generation Kentuckian, she lives in Seattle.

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Director Statement

The most important story I’ve ever written is one that I lived when my husband experienced a brain injury and lost the memories of our life. For this and other reasons, I’m drawn to explore themes of identity and memory in my work. I have seemingly paradoxical identities – sixth generation Kentuckian raised in Canada; literary writer and screenwriter; city-dweller and wild woman. The sacred paradoxes in sex and food and death remain my favorite themes, for describing paradox is a way of “effing the ineffable,” as the Zen essayist Alan Watts has noted.

The idea for this film came in the wake of my father's passage into death. This was a chance to leave behind the relationship I'd had with my father, and to be with him as he was, a man who'd turned into an innocent. The experience altered my sense of what it is to be human, and made me profoundly grateful that I'd taken the risk to be with him.

The music of Bob Dylan was tone-perfect for this moment. "Not Dark Yet" includes the line: 'behind every beautiful thing there's some kind of pain.' Sung in the voice of my daughter, who was also present at the end of her grandfather's life, those words are not just poignant, but also speak to what we endure when we move toward reconciliation after a difficult relationship. I was amazed by Lauren Weedman's intuitive work here, and her sensitive choices that demonstrated a fully realized woman moving out of a habitual response to life.