Experiencing Interruptions?

21

The twentyone literary work is a silent film in the melodrama Genre, in poetic form. He tries to reconstruct the painting of a violoncello or a lasting work of the modern artist Amedeo Clemente Modigliani.In this literary work, an attempt has been made to define a story for the violoncello and to give him soul and life to play a significant role in our camera frame.
The events of this film take place in twenty-one days, and we will have the last three days of the film from captivity to liberation, like a person who loses twenty-one grams at the time of his death.
The main character of our story suffers from a disease called synesthesia. A disease with which the five senses can be combined.
Synesthesia is a disease in which the five senses can be combined, meaning that taste can be seen, sound can be tasted, and aromas can be heard.
He tries to make and play a piece of music from the scent of her beloveds scarf.
As every perfume in the world is made of three musical notes, by trying to smell them, he tries to turn the notes into his own musical notes in order to reconstruct his mistress in his world with the music he obtains from this scent.

  • Mehrdad Kohan Torabi
    Director
  • Mehrdad Kohan Torabi
    Writer
  • Pouria Bagheri
    Writer
  • Saeedeh R.Araghi
    Producer
  • Project Type:
    Experimental
  • Runtime:
    32 minutes 58 seconds
  • Completion Date:
    November 22, 2022
  • Production Budget:
    7,000 EUR
  • Country of Origin:
    Iran, Islamic Republic of
  • Country of Filming:
    Iran, Islamic Republic of
  • Shooting Format:
    digital 16mm
  • Aspect Ratio:
    4:3
  • Film Color:
    Black & White
  • First-time Filmmaker:
    No
  • Student Project:
    No
Director Biography - Mehrdad Kohan Torabi

• Member of UNESCO Artist
• Complete acting course in Karnameh institute (2014)
Actor diploma from Ava institute (2017)
Complete scriptwriting course supervised by professor Farhad tohidi (2016)
Complete theatre stage direction course supervised by professor kiomars moradi (2016)
Body and expression course in ava institute (2017) Body and expression course supervised by professor vahid jalilvand
History of contemporary art course Mah Mehr institute,supervised by professor Alireza samie azar (2017)
Acting in theatre training courses (2017)
General electronic high school diploma from the school of science and technology (2014)
Complete painting course in visual painting institute (2005)

Complete * film making course* by professor Hamid Jebeli
Artistic activities:

*Tehran 1390* theatre script supervisor (2016) Group painting show (2008)
Acting in the short film *stigma* (2018)
Acting in *the lost* short film (2018)
Acting in *the last supper* short film (2018) Acting in *circle*short film (2018)
Acting in *psychiatric hospital* theatre (2017) Script supervisor in *singer* theatre (2017) Producer and actor in *uninvited* theater (2016) Painting work shop (2018)
Executive director in * me in the mirror* theatre (2017) Author of two screenplays titled *glass kite* and *mother*
Author of two film scripts titled *karbash* and *uninvited*
Action art documentary for *UNESCO Artist*(2020) Creating movie for UNESCO Artist in ROME, Italy (2019)

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Creating movie for Asian artist in Spain, Malaga (2018) Received a certificate from UNESCO in Italy , Tehran Received a certificate from international action art in Italy
Write the screenplay called * human contemporary, Himeh , Raha and ect *

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Director Statement

As a filmmaker, my purpose is to craft stories that captivate, inspire, and provoke thought. Through the medium of film, I aim to ignite emotions, challenge perspectives, and shed light on the human experience in all its complexity. Each frame I capture, each scene I bring to life, is an opportunity to delve into the depths of our collective consciousness and explore the intricacies of our existence.

I believe in the power of visual storytelling to bridge divides, foster empathy, and spark meaningful conversations. Whether it's a narrative fiction, a thought-provoking documentary, or an experimental piece, my films seek to engage audiences on both an intellectual and emotional level. I strive to create a cinematic experience that lingers in the minds of viewers long after the credits roll.

As a filmmaker, I am committed to pushing boundaries, embracing innovation, and constantly evolving my craft. I embrace the collaborative nature of filmmaking, cherishing the diverse talents and perspectives that come together to bring a vision to life. I value the power of collaboration and believe in nurturing an inclusive and supportive environment for all those involved in the filmmaking process.

Ultimately, my goal as a filmmaker is to leave a lasting impact through the stories I tell. I aspire to contribute to the rich tapestry of cinema by exploring untold narratives, shedding light on marginalized voices, and challenging the status quo. Through my work, I hope to leave a legacy that inspires future generations of filmmakers and sparks a deeper understanding of the world we inhabit

in the end, I try to compilation famous paintings in the world with my film till I give them soul