When The Tide Comes In
Set in rural Scotland 1936, Aubrey and Gedys watch their father's decline.
After years at sea, embittered by his relationship with his estranged father, Aubrey cannot conceal his contempt for favoured brother Gedys.
As anger and grief escalate, a heartbreaking realisation suddenly dawns on Aubrey and Gedys.
But can they reconcile their grievances to fulfil their father's dying wish?
Can they let go of the past?
A film that explores the conflicts of love, devotion and family ties.
The story of loyalty, selflessness and the courage to end suffering.
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Craig McKennaDirectorThreshold (2012)
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Craig McKennaWriterThreshold (2012)
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Alia E. TorrieProducer
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Craig McKennaProducerThreshold
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Donald MorrisonKey CastJudas Goat (2014), Stag Hunt (2014), Babe (2013), Shady Lady (2012)
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Cameron ForbesKey CastThe Happy Lands,
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Gordon A. McKennaKey Cast
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Alia E. TorrieKey CastTea Cup Travels (BBC) (2015), The Last Love Letter (2015), To Make Me Feel Your Love (2011)
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Alan C.McLaughlinDirector of PhotographyAll the Ordinary Angels; Exodus 21:24; Hole; Lost Serenity (2011),
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Alia E. TorrieCostume Design
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Craig McKennaProduction DesignTwo Soldiers (2014); Out of The Ash (2014); Wyld (2014); Sunsets & Silhouettes (2014); It Ends With Love (2014),
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Barry Frame @ The Audio ClinicSound DesignThe Last Love Letter (2015);
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Joanne DonnellyMake-Up ArtistsCentury Heights (2014);
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Maria ElliotMake-Up ArtistsWhat Have You Done? (2014)
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Andrei LascuEditor
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Simon Price1st Assistant DirectorsGood Luck WIth That (2013)
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Yutsil Hoyo Diaz Martinez1st Assistant Directors
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Aron Dale CairnsCamera TeamTake It Back and Start All Over (2014)
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Yutsil Hoyo Diaz MartinezCamera TeamIt Ends In Love (2014); Take It Back and Start All Over (2014)
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Paul ChanSound RecordistsOut of The Ash (2014)
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Neale RossSound RecordistsJudas Goat (2014)
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Alan C. McLaughlinColouristLost Serenity (2011)
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Alia E. TorrieArt Direction & On-Set Design
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Jennifer WagnerAssistant Editor
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Katarina ForsmanAssistant Props Buyer"Out of The Ash" (2014)
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Project Type:Short
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Genres:Period, Drama, Human Rights
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Runtime:17 minutes 58 seconds
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Completion Date:January 10, 2015
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Production Budget:3,000 GBP
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Country of Origin:United Kingdom
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Country of Filming:United Kingdom
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Language:English
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Shooting Format:RED
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Aspect Ratio:2:35:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Festigious Film Festival 2015
November 8, 2015
Online Festival Premier
BEST DRAMA SHORT -
Prevolia International Film FestivalPervolia
Cyprus
October 11, 2016
International Premier -
Loch Ness Film FestivalLoch Ness
United Kingdom
July 24, 2015
UK Premiere -
BAFTA Scotland New Talent AwardsGlasgow
United Kingdom
Nominated for Best Composer
Craig has been involved in filmmaking for the last 4 years with initial aspirations in screenwriting and illustration soon developing into a love for directing and design.
Graduating with a Bachelors Degree in Photography and Film from Edinburgh Napier University in 2012, Craig began his career in the UK Film Industry in both the Art Department and as Production Designer for "Wyld" (Hopscotch/Scottish Shorts 2013), and indie shorts "Sunsets & Silhouettes", 'A Fire Within' (2015) and 'Meet Me By The Water' (2016) which debuted at the Edinburgh International Festival.
With a burning passion for character and storytelling, "When The Tide Comes In" saw Craig's return to Writing and Directing receive BAFTA nomination, and Awarded Best Drama Short at Festigious Film Festival 2015.
On the back of this success Craig is currently in preproduction for the eagerly anticipated drama short 'Custodian".
Dilemma and personal conflicts have always interested me and the depth that makes a human being.
I felt compelled to tell a story that resonates on many levels we all know and have felt at sometime in our lives. The chips on our shoulder; the tailspin of grief; being powerless to shield our hearts from pain. In Aubrey and Gedys, I wanted to show characters who are both flawed. So often the deepest, most turbulent conflicts come from the heart of family. They are part of us, and I was always interested by the altruism of devotion even amongst the most estranged of siblings.
Though we can try, through distance and composure, the one bond that we cannot escape from is that of blood.
I wanted to explore tension within a confined, even claustrophobic space, where characters simmer in their own silence. But I wanted to show an optimism of what could come from that.