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"Tinsel's Town" Episode 19: "The Birds Come Home To Roost"

NARCISISSM. EXHIBITIONISM. AND GLUTEN-FREE SOAP.
JUST ANOTHER DAY IN LA.

What does a struggling LA actress do when her career fails to take off? She launches her own YouTube channel. Duh.

Beleaguered LA actress and know-it-all Tinsel Townsend makes a desperate-but earnest bid for fame (or at least a little attention) by starting her own vlog-style internet channel, "Tinsel's Town", determined to conquer Hollywood the NEW-fashioned way: one subscriber at a time.

The show – where Tinsel waxes weekly about LA fashion, fads and phobias – becomes a growing success, with viewers tuning in to get Tinsel's expert, quirky take on a wide range of planet-shaking and super-important topics: whether it's the questionable hygiene of hair scrunchies or the manipulative chicanery of lite beer, Tinsel has an opinionated opinion that she's all too willing to share.

But the show, which started out as a means to publicly showcase Tinsel's unique talents and expertise, soon evolves into something entirely different, something a bit at odds with the shininess her name implies: A travelogue of her topsy-turvy family and emotional life. It isn't long before the know-it-all starts to realizes that she might not know as much about LA as she thought. And even less about herself.

And because things get darkest just before they get even darker, the tables turn yet again for Tinsel. In the murky throes of a Klonopin-induced haze, she accidentally insults one of her fans who become instantly outraged and offended, launching a full-scale mutiny of their own. One by one they abandon the SS Tinsel, revealing another more painful truth:

While all the world might be a stage, the online world is more like a minefield, where one false move can cost you more than a leg or an ear lobe – it can reset your subscriber count to zero and cost you an entire career.

Kaboom.

The 27-episode comedy attempts to satirize a culture that values shine over substance, celebrates personality over intellect, and encourages outrage over empathy.

It stars Disney alum Aimee-Lynn Chadwick as Tinsel Townsend, the self-obsessed, fame-obsessed know-it-all who learns the hard way that the road to fame is littered with red lights and road kill. And that short cuts can easily lead to wrong turns.

NARCISISSM. EXHIBITIONISM. AND GLUTEN-FREE SOAP.
JUST ANOTHER DAY IN LA.

What does a struggling LA actress do when her career fails to take off? She launches her own YouTube channel. Duh.

Beleaguered LA actress and know-it-all Tinsel Townsend makes a desperate-but earnest bid for fame (or at least a little attention) by starting her own vlog-style internet channel, "Tinsel's Town", determined to conquer Hollywood the NEW-fashioned way: one subscriber at a time.

The show – where Tinsel waxes weekly about LA fashion, fads and phobias – becomes a growing success, with viewers tuning in to get Tinsel's expert, quirky take on a wide range of planet-shaking and super-important topics: whether it's the questionable hygiene of hair scrunchies or the manipulative chicanery of lite beer, Tinsel has an opinionated opinion that she's all too willing to share.

But the show, which started out as a means to publicly showcase Tinsel's unique talents and expertise, soon evolves into something entirely different, something a bit at odds with the shininess her name implies: A travelogue of her topsy-turvy family and emotional life. It isn't long before the know-it-all starts to realizes that she might not know as much about LA as she thought. And even less about herself.

And because things get darkest just before they get even darker, the tables turn yet again for Tinsel. In the murky throes of a Klonopin-induced haze, she accidentally insults one of her fans who become instantly outraged and offended, launching a full-scale mutiny of their own. One by one they abandon the SS Tinsel, revealing another more painful truth:

While all the world might be a stage, the online world is more like a minefield, where one false move can cost you more than a leg or an ear lobe – it can reset your subscriber count to zero and cost you an entire career.

Kaboom.

The 27-episode comedy attempts to satirize a culture that values shine over substance, celebrates personality over intellect, and encourages outrage over empathy.

It stars Disney alum Aimee-Lynn Chadwick as Tinsel Townsend, the self-obsessed, fame-obsessed know-it-all who learns the hard way that the road to fame is littered with red lights and road kill. And that short cuts can easily lead to wrong turns.

The world of Tinsel and "Tinsel's Town" has not been contained to the online space: show creator David Barry also writes and produces events where Aimee Lynn Chadwick appears live in character as Tinsel, most notably at Vidcon, the world's largest gathering of digital video and online creators.

  • Michael Lindsay-Hogg
    Director
    Let It Be, Rolling Stones Rock and Roll Circus, Brideshead Revisited
  • David C Barry
    Director
  • David C Barry
    Writer
    The Lullaby League
  • David C Barry
    Producer
  • Aimee-Lynn Chadwick as Tinsel
    Key Cast
    Cinderella Story, Prom, The Mentalist
  • Kiva Lawrence-Hoy as Grandma Grace
    Key Cast
    Knotts Landing, Magnum PI, Happy Texas
  • Tracy Winters as Carol
    Key Cast
    11/11, Yellowface,
  • Project Type:
    Web / New Media
  • Runtime:
    10 minutes 11 seconds
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
  • Rio Web Fest (Season One)
    Rio
    Brazil
    September 18, 2017
    Season One Asian Premiere
    People's Choice (Winner)
  • Seoul Web Fest (Season One)
    Seoul Web Fest
    Official Selection; Rising Star
  • Hollyweb (Season One)
    Los Angeles
    United States
    April 8, 2018
    North American Premiere
    Official Selection
Director Biography - Michael Lindsay-Hogg, David C Barry

Considered the "Father of the Music Video", Michael Lindsay-Hogg's directorial work has uniquely spanned the mediums of film, television and theater; he has also been uniquely honored along the way, winning a BAFTA for his TV work and earning both Emmy and Tony award nominations as well.

Michael is a pioneer of the music video genre, having directed the first videos for The Beatles, The Rolling Stones, The Who and Elton John as well as The Beatles’ final film, LET IT BE. He also directed the award-winning GRACELAND with Paul Simon, shot in Zimbabwe.

On stage, Michael earned a Tony nomination as Best Director for WHOSE LIFE IS IT ANYWAY, starring Mary Tyler Moore. His Broadway production of AGNES OF GOD with Geraldine Page won a Tony Award for Amanda Plummer. He directed the original groundbreaking production of Larry Kramer's THE NORMAL HEART at Joe Papp's Public Theatre as well as Horton Foote's THE WIDOW CLAIR with Matthew Broderick and Hallie Foote, which ran for 6 months at Circle in the Square.

Michael’s film and television credits include Tom Stoppard's only original television play PROFESSIONAL FOUL, Graham Greene's DR FISHER OF GENEVA as well as BRIDESHEAD REVISITED (3 of his 5 BAFTA nominations or wins). He also directed RUNNING MATES with Diane Keaton and ED Harris for HBO.

He wrote/directed THE OBJECT OF BEAUTY, starring John Malkovich and Andie Mc Dowell, which won Best Director and Best Film at the Cairo International Film Festival. His film FRANKIE STARLIGHT with Anne Parillaud, Gabriel Byrne and Matt Dillon was voted by Jeffrey Lyons and Siskel and Ebert as one of their Top 10 pictures of the year.

The New York Film Festival premiered his film THE ROLLING STONES ROCK AND ROLL CIRCUS as a (sold out) Special Event. A year later, his film GUY with Vincent D'Onofrio was named one of the year’s Ten Best by LA WEEKLY. His film of WAITING FOR GODOT was part of the Beckett series, which won the award for Best TV Drama on the prestigious British arts program me The South Bank Show.

On stage, Michael earned a Tony nomination as Best Director for WHOSE LIFE IS IT ANYWAY, starring Mary Tyler Moore. His Broadway production of AGNES OF GOD with Geraldine Page won a Tony Award for Amanda Plummer. He directed the original groundbreaking production of Larry Kramer's THE NORMAL HEART at Joe Papp's Public Theatre as well as Horton Foote's THE WIDOW CLAIR with Matthew Broderick and Hallie Foote, which ran for 6 months at Circle in the Square.

Michael's memoir LUCK AND CIRCUMSTANCE was published in 2011 and is still selling. His oil paintings and drawings have had solo shows in New York, London, Austin and Los Angeles. Michael is a also a contributing editor at “Vanity Fair”.

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