The Omonoia Project

The Omonoia Project is a subsection of the project Definitions I. In the whole project, language is considered as a cultural platform and a carrier of idiomatic elements.
Is it possible for a language to keep all the elements and the pronunciations of words, when the residents of a country migrate and leave behind much of this tradition in an effort to adapt to new conditions? How does the meaning of a word sound from a man who lacks the state of the exact word and from someone who has forgotten its interpretations/ meanings?
The movement of populations and globalization are two reasons that make people to the use a common language as a communication medium. The result of this phenomenon is the elimination of those cultural platforms over the years. It is quite difficult to be able to keep the elements and the factors of a language from the previous generation to the next, because those elements are not parts of an everyday experience by the new users. The Definitions I is an audiovisual archive, where the recording of specific conditions intended to ensure preservation. Video has been selected as the mean to imprint in the same time the timbre and expression of participants –visually and vocally-.
The Omonoia Project section examines the contemporary reflection on the big phenomenon of immigration -illegal or not- and the uprooting of the inhabitants of a region under specific conditions. It consists of video recordings, in the Omonia square and the area of Athens historic center, of people resettlement in Greece. Thus, through these recordings briefly illuminated by the reflection of the basic human rights and the necessity of keeping a unique identity.
The video records just the words and not the overall discussion, without further comment. People recount the words that lack, a privation that led them to search for a new home for a single word, "Omonia / Peace"; starting from this small word, the immigration is investigated from the perspective of immigrant’s view who seeks this condition in new social contexts. Overall, the project relates to the identification of current social life to a humanistic base, setting as a criterion the prosperity or not of the percentage filling of these concepts.
Meanwhile, the term "Omonia" seems to have shifted from its original meaning in greek; the contemporary word’s meaning is mostly local and spatial determination of the Athenian region, despite social and psychological condition. Through the discussion with the participants, an extensive reference is focused on the term, seeking the Omonia square to acquire the qualities of its’ name.

* Thought Definitions I, an online library is sought to be created in the near future. There, words recorded by as many languages as possible and participants.

  • Athina Kanellopoulou
    Director
  • Athina Kanellopoulou
    Writer
  • Athina Kanellopoulou
    Producer
  • Athina Kanellopoulou
    Key Cast
  • Project Type:
    Animation, Experimental, Short
  • Runtime:
    3 minutes 37 seconds
  • Completion Date:
    November 10, 2016
  • Production Budget:
    800 EUR
  • Country of Origin:
    Greece
  • Country of Filming:
    Greece
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • "Human Rights", Global Videos
    Amsterdam
    Greece
    December 10, 2016
    Selected and exhibited
  • "AB5to6: Omonoia", Athens Biennale
    Athens
    Greece
    September 17, 2016
    World
  • AVI Film Festival
Director Biography - Athina Kanellopoulou

Athina Kanellopoulou (b. 1985, Athens) is a greek based visual artist. She gained a BA and a MSc in Civil Engineering and Pedagogigal Studies (ASPAITE, 2009 & 2011) and a BA in Fine Arts & New Media (Middlesex University, 2016).
The spatial and social elements play a key role in the way of perceiving the world and thus Art. "I call space every real, digital, virtual, invented or imaginary place created by the social or isolation's needs of human". Through a variety of visual media such as video, installation, text, and some forms of performance, the structures of society and human relations are investigated; specifically, the interaction of people through the emotional fluctuations, the error on the true and the kinesthetic fact in the determination of these spatial and social ids.
In many installations and media works, the participation of audience plays the most important role in the activation of the project and conduct results, emphasizing the character of the ephemeral and non-closed system and the relevance of the visual identity, referring to the wording of Beuys that "Every man is an artist". Many times, there is collaboration with psychologists and sociologists for researching on the results of every participatory behavior during the artwork.
She has presented artworks in many art exhibitions, festivals, art fairs and biennales; such as AB5to6 Omonoia Athens Biennale, To the Future Public - C.A.S.A.- Documenta 14, ASFA BBQ 4th Performance Festival of Athens School of Fine Arts, Contemporary Venice International Art Show, Human Rights Global Village, AnimaSyros International Animation Festival, Eye's Walk Festival, 20th Art Athina International Art Fair, APhF Athens Photo Festival Benaki Museum, ANIMFEST, AudioVisual Art Festival, Mind the Gap | Kodra Fresh 2016 Action Field Kodra, ANNY- Animation Night New York, Diseases, II FICAE - International Short Film and Art Festival, δικό μου: a piece of space, Exile International Film Festival, Experimental Superstars International Film Festival, Printmaking the Literature, CAA Project- Contemporary Academy of Art Project, Art for More 4th International Festival, IK Art Contest etc.

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Director Statement

The spatial and social elements play a key role in the way of perceiving the world and thus Art. I call space every real, digital, virtual, invented or imaginary place created by the social or isolation's needs of human. Through a variety of visual media such as video, installation, text, and some forms of performance, the structures of society and human relations are investigated; specifically, the interaction of people through the emotional fluctuations, the error on the true and the kinesthetic fact in the determination of these spatial and social ids.
In many installations and media works, the participation of audience plays the most important role in the activation of the project and conduct results, emphasizing the character of the ephemeral and non-closed system and the relevance of the visual identity, referring to the wording of Beuys that "Every man is an artist". Many times, there is collaboration with psychologists and sociologists for researching on the results of every participatory behavior during the artwork.
Through the filming and moviemaking, I am trying to approach the structure of relations between members of society and balance between the person and his inner ego, to reveal our inner personal language and elements that create our world. One of these elements is knowledge. Knowledge and culture can give us wings.