One, Two, Buckle my Shoe

"What we do as filmmakers is immaterial, it's only a projection of light and doing that only with light makes you into a clown. It's an inevitable process". Werner Herzog says we lack adequate images and eats his shoe in sake of a new, revolutionary language in film. It's a small price that we can pay for seeing real images. "So more shoes, more boots, more garlic".
This is an experimental collage film, a meditation on the concept of shoes, starting from the Hermesian golden flying shoes reaching all the way to contemporary commodified perception of it.
Found footage of 1920s commertials have also been used in the film.