Február
‘Sure you don't want anything? Well, it's up to you. Let me know if you change your mind, Papa.’
Making coffee, rolling cigarettes, getting warm. Zsuzsanna and Sandor have been living under a bridge in Munich for more than six months.
FEBRUÁR is a sober confrontation with the antagonisms of daily life. A glimpse into their home, the nature of their companionship and their embrace of the little things.
-
Marlena MolitorDirector
-
Marlena MolitorWriter
-
Marlena MolitorProducer
-
Moritz DehlerDirector of Photography
-
Felix LängeSound
-
Project Title (Original Language):Február
-
Project Type:Documentary, Short, Student
-
Genres:Documentary, Short
-
Runtime:12 minutes 37 seconds
-
Completion Date:June 1, 2017
-
Country of Origin:Germany
-
Country of Filming:Germany
-
Language:Hungarian
-
Shooting Format:Digital
-
Aspect Ratio:16:9
-
Film Color:Black & White
-
First-time Filmmaker:Yes
-
Student Project:Yes
-
International SIGNES DE NUIT FestivalParis
France
October 15, 2017
International Premiere
Official Selection -
UP AND COMING International Film Festival HannoverHannover
Germany
November 25, 2017
German Premiere
Official Selection -
Cinema Verite IRAN INT'L DOCUMENTARY FILM FESTIVAL TehranTehran
Iran, Islamic Republic of
December 13, 2017
Iranian Premiere
Official Selection -
Über Kurz oder Lang Film FestivalMurnau
Germany
December 27, 2017
Official Selection -
Flimmern und Rauschen Film FestivalMunich
Germany
March 7, 2018
Regional Premiere
Official Selection -
Landshuter Kurzfilm FestivalLandshut
Germany
March 18, 2018
Official Selection -
NonfiktionaleBad Aibling
Germany
March 10, 2018
Official Selection -
Chalon Tout Court FestivalChalon-sur-Saône
France
March 30, 2018
Official Selection -
DOK.fest MunichMunich
Germany
Official Selection for Student Award -
Werkstatt der Jungen FilmszeneWiesbaden
Germany
May 19, 2018
Official Selection -
Internationales Filmfest Emden-NorderneyEmden-Norderney
Germany
June 9, 2018
Official Selection -
Sardinia Film FestivalSASSARI
Italy
June 28, 2018
Official Selection -
Festival Les Enfants terriblesHuy
Belgium
October 19, 2018
Belgian Premiere
Official Selection -
Regard BleuZurich
Switzerland
October 20, 2018
Swisse Premiere
Official Selection -
Festival „Politik im Freien Theater"Munich
Germany
November 8, 2018
Officia Selection -
DUEMILA 30 shortlist Quindici 19, Milan, ItalyMilan
Italy
December 2, 2018
Official Selection -
Kurzfilmfest Bunter Hund, MunichMunich
Germany
March 7, 2019
Official Selection -
Filmfest UndBitte!, HannoverHannover
Germany
March 17, 2019
UndBitte! Audience Award -
ETHNOCINECA International Documentary Film Festival Vienna, AustriaVienna
Austria
May 26, 2019
Austrian Premiere
Official Selection -
UWE – der Festival, MunichMunich
Germany
June 21, 2019
Official Selection -
WaLa International Film Festival, LadenburgLadenburg
Germany
July 20, 2019
Official Selection
Marlena Molitor's desire to create documentaries first arose at the age of 14. After finishing her A-levels in 2013 she completed a six-month internship at a film production in Cape Town. After various side jobs, a few more internships and many enriching experiences in numerous countries, in 2016 she formally began her studies in documentary film making at the University of Television and Film in Munich. Her first documentary film FEBRUÁR celebrated its world premiere at Intl. Film Festival Signes de Nuit in Paris and was screened amongst others at Cinema Verite Iran Intl. Documentary Film Festival in Iran. Furthermore FEBRUÁR was screened at Festivals in more than eight countries all over Europe.
Despite facing various hardships surrounding economic security, adequate shelter and health care coupled with the fact that Zsuzsanna and Sandor are marginalized members of society as they belong to the minority ethnic group of Roma, their approach to daily life is insightfully humble. Whilst these are circumstances which cannot be ignored and are ever present, in telling their story, I was inclined to convey the connection and disposition the pair embodies individually as well as together within their daily lives notwithstanding these hardships. Despite the adversity they face on the daily, it is apparent that laughing, conversation and moments of connection are parts of Zsuzsanna and Sandors life. These things matter. I felt it was important to shed light upon their daily routine and the optimism I saw within these acts whilst spending time with them rather than focusing on the grand narrative surrounding those considered ‘homeless’.