Fly on the Wall
When a young man gets a hold of military-grade bug-camera, he must grapple with the temptations of voyeurism or become like the killer who kidnaps his ex-girlfriend.
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Michael R. MorrisDirectorFear House, Dead Soon
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Michael R. MorrisWriterFear House, Dead Soon
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Michael R. MorrisProducerFear House, Dead Soon
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John BevilacquaProducerMy Funny Valentine, Boardwalk Poets
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Eric G. JohnsonProducerTweek City, Bastards y Diablos
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Bridget AlbaughKey Cast"Gwen Millett"God’s Club, The Vikes
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Brian CombsKey Cast"Bradley Hauser"The Boy Who Wouldn’t Turn Right, Gossip Boy
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David DanipourKey Cast"Peter"Racebook, Threads
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Jovita TrujilloKey Cast"Stephanie"Home Video, El Oro
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Terence TierneyKey Cast"Clarence"The Dead Planet, Evicted
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Project Type:Feature
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Genres:Thriller, Horror, Action, Found footage, P.O.V.
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Runtime:1 hour 25 minutes 56 seconds
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Completion Date:April 11, 2017
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Production Budget:10,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Dick Clark Screening RoomWest Los Angeles
United States
Distribution Information
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Amazon VideoCountry: United StatesRights: Internet, Video on DemandCountry: United KingdomRights: Internet, Video on DemandCountry: GermanyRights: Internet, Video on Demand
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POVHorror.comCountry: WorldwideRights: Internet
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Vimeo On DemandCountry: WorldwideRights: Internet, Video on Demand
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UDU DigitalCountry: WorldwideRights: Internet, Video on Demand
A graduate of New York University’s Tisch School of the Arts, Michael R. Morris is a DIY filmmaker who cut his teeth in the downtown streets and alleyways of the East Village. Since having returned to his native Los Angeles, he has worked as screenwriter, director of photography and editor, now balancing a host of talents as an independent producer/director (Fear House, Dead Soon, Last Seen at Angkor).
FLY ON THE WALL started out as an experiment on how to tell a suspense story using only the video devices available at the time, as if the whole feature length story was captured accidentally like a documentary then assembled later. (It was shot on more than 5 different types of mobile cameras: Polaroid Cube Cam, iPhones 5 & 6, 2 drones, JVC HD-100, Canon Powershot). After more than a year in post-production of inventing a visual language and along with intricate sound design, the film has found its "voice" in a new stab at indie guerrilla filmmaking. With that in mind, the themes of this story are about the dangers of voyeurism. Everywhere we go and everything we do seems vulnerable to privacy concerns. The tendency for the hero and the killer to share similar traits (to "capture" an object of obsession) is the question raised in our story.