Private Project

10 PAST 11

How do YOU draw a clock? The Clock Drawing Test on a Dementia assessment catalyzes a surreal exploration of the body's ability to retain and communicate memory.

  • Kayla Ozzy
    Director
  • Kayla Ozzy
    Writer
  • Kayla Ozzy
    Producer
  • John Hunter
    Key Cast
  • Rose Thomas
    Key Cast
  • Robert Soar
    Key Cast
  • Amberli K. Hartwell
    Key Cast
  • Margaret Harris
    Key Cast
  • Henry Fuller
    Key Cast
  • Bitu Thomas
    Key Cast
  • James Jones
    Key Cast
  • Eve Pitt
    Key Cast
  • Stephanie Small
    Key Cast
  • Jack Isaac
    Editors
  • Anna Sirjajeva
    Editors
  • Bethany Stenning
    Music composition
  • Project Type:
    Experimental, Short
  • Genres:
    Experimental, Melodrama
  • Runtime:
    14 minutes 40 seconds
  • Completion Date:
    September 5, 2019
  • Production Budget:
    1,939 GBP
  • Country of Origin:
    United Kingdom
  • Country of Filming:
    United Kingdom
  • Language:
    English
  • Shooting Format:
    HD Camcorder
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
  • VASTLAB Film Festival
    Burbank, CA
    United States
    December 20, 2020
    Premiere
    Official Selection
Director Biography - Kayla Ozzy

Kayla Ozzy is an experimental multimedia artist known for her use of the cut-up method. Ozzy uses creative process to explore her interest in the narrative body. Although American born and raised, wanderlust lead her to earn a BA in English from Royal Holloway University of London. Her work embraces the abject, queerness, humor, and the uncanny.

Add Director Biography
Director Statement

Hello, I'm Kayla Ozzy, and I'm proud to present my first film, 10 PAST 11!

I'm interested non-verbal communication of experience. I've previously studied the body as a capable narrator for unspeakable traumatic memories. My Grandma was diagnosed with Dementia in 2016, and I've noticed she is most clearly understood when she speaks through gesture and interaction with the material. This project uses cinematography to explore the narrative body of someone with Dementia and the corporeal language of memory.

Have you noticed the voice of the Dementia victim does not often make it to the big screen? My Grandma Shirley is an artist, but her ability share her unique ideas and creations is now limited. Like her, I am an artist, but unlike her, my art still has a comprehensible and conventional voice! Travelling with my notebook and flash drive, I worked one on one with amazing people all over the UK who added their unique voice to a project about the voiceless.

With much love and appreciation, thank you for viewing!