We Put the World to Sleep
Adrian and Duru get lost in the characters they play in an apocalyptic film and embark on a secret mission to end the world for real. What follows goes beyond their wildest imagination.
Second entry in Adrian Țofei and Duru Yücel's spiritual trilogy which includes "Be My Cat: A Film for Anne" and "Pure". 10 years in the making!
Note: We Put the World to Sleep can be watched and understood as a standalone by audiences who haven't seen Be My Cat, because it's not a direct sequel, the connections are loose.
Top festival selections thus far:
- Nightmares Film Fest 2025 (world premiere announced in Deadline Hollywood)
- FilmQuest 2025 (regional premiere announced in Variety)
- IndieLisboa 2026 (Mouth of Madness section, European Premiere)
- deadCenter 2026 (upcoming)
- MoMI's First Look 2026 (East Coast premiere in NYC announced in IndieWire)
- Panic Fest 2026
- Nightmare in the Ozarks 2025
- Unnamed Footage Fest 2026 (West Coast premiere)
- Romford Horror Fest 2026 (UK Premiere in London)
- MidWest WeirdFest & A Night of Horror 2026
Awards won thus far:
- Best Midnight Feature at Nightmares Film Fest
- Best Supporting Performance (Duru Yücel) at Nightmares FF
- Best Performance (Duru Yücel) at Unnamed Footage Fest
- Best International Film at MidWest WeirdFest
- Best Found Footage at A Night of Horror IFF
Top reception/reviews thus far:
- "Your film was such a breath of fresh air, truly something unique that we knew we needed to select right away!" (IndieLisboa programmer)
- “Absolutely LOVED it, I’ve never seen another film like it, so alive, funny, haunting, touching, really something truly special!" (filmmaker Dallas Hallam)
- “The F for Fake (Orson Welles' 1973 film) of found footage." (Rotten Tomatoes critic Anton Bitel)
- “Not only one of the best found footage flicks ever, it’s one of the best movies of 2025 period. A cult classic in the making." (filmmaker Joe Gietl)
- "A four hour round trip was well worth the effort to see the film, which lived up to and surpassed my already high expectations!" (Letterboxd review by Graham)
- "I saw it at a festival and it was so good, Adrian was there to introduce the film and was a joy to hear from!" (Show Me Something Spooky)
- “One of the most aggressively strange movies I've seen in my entire life!" (The Movie Blues)
- “Nothing like any movie I've seen before, utterly compelling!" (Letterboxd review by Brian Jones)
- “Loved every second of the second watch, I cried, I am still crying as we speak." (Fulvio, Be My Cat fan)
- “Part reality-bending sci-fi, part chilling horror, part domestic drama, this film masterfully subverts and surpasses the conventional tropes of found footage.” (Dean Bertram, festival director)
- “Absolutely loved this film so much! I loved Be My Cat, but this was even better, an absolute masterpiece!” (Pete Brookes)
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Adrian ȚofeiDirectorBe My Cat: A Film for Anne (2015)
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Adrian ȚofeiWriterBe My Cat: A Film for Anne (2015)
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Duru YücelWriter
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Adrian ȚofeiKey CastBe My Cat: A Film for Anne (2015)
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Duru YücelKey CastGrandpas Know Best (2012)
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Erisse PetersonKey Cast
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Andreea EnciuKey CastNo One Gets Out Alive (2021)
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Danha YunesKey Cast
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Adrian ȚofeiProducerBe My Cat: A Film for Anne (2015)
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Duru YücelProducer
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Adrian ȚofeiEditor
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Adrian ȚofeiCinematography
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Adrian ȚofeiProduction Design
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Danha YunesExecutive Producer
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Jay SorensenExecutive Producer
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Ada Taylor HartExecutive Producer
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Ricky ChenExecutive Producer
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Jacob HairAssociate ProducerRick and Morty (2019-present), The Taking of Deborah Logan (2014)
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Project Type:Feature
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Genres:Found Footage Horror, Apocalyptic Sci-Fi, Midnight Movie, Psychological Horror, Adventure, Metaphysical Drama, Mockumentary, Screenlife, Satire, Mumblecore, Psychotronic, Meta-cinema, Post-cinema, Postmodernist film, Relationship Drama, Dark Romance, Antihero Film, Mystery, Bizarre
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Runtime:1 hour 23 minutes
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Completion Date:January 18, 2026
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Production Budget:125,000 USD
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Country of Origin:Romania, Türkiye
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Country of Filming:Romania, Türkiye, Ukraine
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Language:English
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Shooting Format:Digital: DCP 5.1, ProRes, MP4
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Aspect Ratio:1.77 : 1
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Film Color:Black & White and Color
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First-time Filmmaker:No
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Student Project:No
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Nightmares Film FestivalColumbus, Ohio
United States
October 18, 2025
World Premiere
Best Midnight Feature, Best Supporting Performance: Duru Yücel -
FilmQuestProvo, Utah
United States
October 28, 2025
Regional Premiere
Nominations: Best Found Footage Feature, Best Lead Actress (Duru Yücel), Best Editing, Best Feature Film -
IndieLisboaLisbon
Portugal
May 6, 2026
European Premiere
Mouth of Madness -
deadCenter Film FestivalOklahoma City
United States
June 11, 2026
Oklahoma Premiere
Special Selection -
First Look festival by MoMI (Museum of Moving Image)New York City
United States
April 25, 2026
East Coast Premiere -
Panic FestNorth Kansas City, Missouri
United States
April 9, 2026
Missouri/Kansas Premiere -
Nightmare in the Ozarks Film FestivalEureka Springs, Arkansas
United States
October 25, 2025
Regional Premiere -
Unnamed Footage FestivalSan Francisco, California
United States
March 27, 2026
West Coast Premiere
Best Performance: Duru Yücel -
Romford Horror FestivalLondon
United Kingdom
February 20, 2026
UK Premiere -
MidWest WeirdFestEau Claire, Wisconsin
United States
March 8, 2026
Wisconsin Premiere
Best International Film -
A Night of Horror International Film FestivalEau Claire, Wisconsin
United States
March 8, 2026
Best Found Footage -
FERATUM International Fantastic Film FestivalPátzcuaro, Michoacán
Mexico
November 7, 2025
Latin American Premiere
International Fantastic Competition -
Montevideo FantasticoMontevideo
Uruguay
June 20, 2026
South American Premiere -
Black Sunday Film FestivalColchester
United Kingdom
July 18, 2026
Midsummer Scream
Adrian Țofei (pronounced Tsofei) is a Romanian filmmaker and actor best known for his cult horror feature Be My Cat: A Film for Anne and his upcoming feature We Put the World to Sleep.
IndieWire called Be My Cat a “hidden gem, nonstop nightmare, chilling character study and dazzling debut”, Blumhouse said it’s a “new intelligent found footage film you need to see”, Vulture included it among “the 10 best found-footage horror movies”, and Dread Central named it “revolutionary and dangerous”. Adrian won Best Actor at Nashville Film Festival for his performance, as well as Best Film at A Night of Horror in Sydney. He directed, produced, wrote and starred in the movie, which premiered in 2015 at Fantasporto, traveled the festival circuit and received critical acclaim (88% fresh on Rotten Tomatoes). It was released by Terror Films in 2018, and has since attracted a cult following.
Adrian Țofei has been married to actress and writer Duru Yücel since 2017. Together they star in their new feature We Put the World to Sleep, the second part of their spiritual trilogy, winning Best Midnight Feature and Best Supporting Performance for Duru at the 2025 Nightmares Film Festival.
He is also known for his Top 100 Genre Film Festivals and Top 250 International Film Festivals lists with submission tips, which he maintains on his website, as well as putting together Dread Central's Top 90 Best Genre Film Festivals on Earth with the contribution of over 30 industry experts. Adrian has been researching festivals for more than 10 years, using numerous complex criteria to compile his lists, which became the most comprehensive and trusted resources of this kind on the internet, always coming at the top of Google search results.
Short Statement:
This is the second entry in a spiritual trilogy made together with my wife and creative partner, actress and writer Duru Yücel. All three movies are very different in style and substance, yet forming a cohesive universe. Be My Cat was anchored in the lower self (irrational instincts and impulses, the subconscious), We Put the World to Sleep is anchored in the middle self (the conscious rational mind), and Pure will be anchored in the higher self (mysteries beyond reason, the supraconscious).
Duru Yücel and I met in 2015 in a film festival as a result of my first movie Be My Cat: A Film for Anne, and around that time we began developing We Put the World to Sleep. We shot it over a period of 9 years in 13 cities, villages and remote locations across Romania, Turkey and Ukraine, using a diverse international cast (Black American, Latin American, East European, Turkish), and living partially in our characters as they progressed in their journey. It’s the most ambitious, difficult and disturbing project we ever did, facing numerous challenges over the years due to the extensive periods of living in character, the pandemic, a scamming producer, the improvisational nature and a 4-years-long editing process to bring the 150 hours of footage down to 1h 23min.
A main goal was to combine the metaphysics of 2001: A Space Odyssey with the realism of The Blair Witch Project, two of the movies that impressed and influenced me the most as a filmmaker. Yet my first inspiration for the movie came in 2015 when I watched a documentary about serial killer Anatoly Onoprienko. While on a killing spree, Onoprienko also killed a little baby after killing the parents. When asked by authorities why he did it, he said he didn’t want the child to grow up without parents, suffering and being abused in orphanages the way it happened to him. This explanation inspired the movie’s concept: ending the world not to cause pain, but, in the characters' twisted minds, to save humans and animals from future suffering.
The script mostly consisted of plot points which evolved and changed over the 10 years of production. While creating and maintaining an alternative psychological reality for our characters, we shot countless hours of footage improvising guerrilla style, then put together the details of the story in post-production while editing.
The most frustrating moments during production happened when the improvisation either went in a direction where we no longer felt the need to record while in character, or went in directions which weren't doable due to budget limitations. Those directions were truthful to the story and character development, yet impossible to apply in practice, therefore we had to break character for weeks, put the entire production on hold and find new directions to move forward.