SOUND MIRAGE
Mila and Frank return home from a weekend of hiking in the San Bernardino desert, when suddenly, Mila disappears. Alone and unable to find her in the deserted Santa Monica alleyways surrounding their apartment, Frank becomes increasingly afflicted by an unknown force that seems to be keeping the lovers apart.
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Georga Morgan-FlemingDirector
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Jose Luis HerreraDirector
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Georga Morgan-FlemingWriter
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Jose Luis HerreraWriter
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Elisa NoemíKey Cast"Mila"
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Oscar WilsonKey Cast"Frank"
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Georga Morgan-FlemingProducer
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Jose HerreraProducer
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Project Type:Short
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Genres:Art House, Experimental, Fantasy, Mystery, Indie, Surreal, Drama, Independant
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Runtime:12 minutes 43 seconds
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Completion Date:November 10, 2023
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Production Budget:4,700 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:1.90∶1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Short. Sweet. Film. Fest.Cleveland
United States
March 2, 2024
Cleveland Premiere
Official Selection -
The Magikal Charm Experimental Video and Film FestNew York City
United States
December 28, 2023
United States Premiere
Award Winner: IN THE SPIRIT OF INCREASED UNDERSTANDING -
IndieX Film FestLos Angeles
United States
Award Winner: BEST MYSTERY; BEST SOUND DESIGN -
Ethereal Frames Film and Art AwardsPortland
United States
Private Screening Only
Award Winner: BEST OF THE FEST -
Chicago International Indie Film FestivalChicago
United States
December 31, 2023
Private Screening Only
Official Selection -
The Alternative Film FestivalToronto
Canada
Private Screening Only
Nominee: BEST EXPERIMENTAL SHORT FILM -
Feel The Reel International Film FestivalGlasgow
United Kingdom
Private Screening Only
Nominee: BEST EXPERIMENTAL SHORT FILM
Georga Morgan-Fleming and José Herrera are two filmmakers living and working in Southern California. Georga grew up in New England where she developed an early interest in oil painting. Jose spent his childhood in California learning how to play the trumpet. Both Georga and Jose moved to Maine to pursue their undergraduate degrees at Bates College where they studied studio art with a focus on oil painting and sculpture, respectively.
After graduating, Georga and Jose moved to Los Angeles in 2019 and began creating films together. Their work covers a wide range of themes, including the conflict between human will and the forces of fate; the power of desire; and the fragmented experience of the human soul. Their latest work, SOUND MIRAGE, the protagonist explores the mystery of loss and the desire to know.
The desire to find something lost can become incredibly powerful. But there are forces outside of us, operating invisibly, that may keep those answers out of reach. In SOUND MIRAGE, we are looking for the things we can’t see. Lost things. The story focuses on a disappearance, and explores our desire to uncover truth and the intersections between human will and the invisible movement of fate.
This story of Frank and Mila unfolds over just twelve and a half minutes. Though brief, this vignette is really a window to a larger narrative, which stretches into the future and the past of Mila’s disappearance. The full story is this: as the couple walks through the arching angles of the desert, they come across a mysterious place that immediately fills Mila with dread. Frank feels it too, but he can’t resist his desire to know more, and he secretly takes a token from the site: the tooth of an unknown animal. Shortly after, the pair is separated. Deep in the desert mountains, surrounded for miles by sloping sand and dry brush, the desert plays tricks on you, and it is easy to become disoriented. Only Mila makes it back to the car. Frank does not - he is lost, stranded in the desert to die. Left alone, Mila searches for him and as the days pass, old missing posters become faded under the bright white desert sun.
What we see on screen in SOUND MIRAGE - Frank’s desperate search for Mila through the piercing sounds of wind and sun - is the mirage. His dying wish.
But this inversion doesn’t mean that Frank’s world can be dismissed as simply a dream or hallucination. Desires have their own gravity. Depicting only the unsettling mystery of Frank’s perspective (invaded as we see by the pressure of his body’s fate), rather than reveal explicitly the alternate timeline, begs the questions that fascinate us most: How much power can human will have over fate? Will time always plow down the illusions we build by its unrelenting and indifferent progress? Or can a profound human desire create its own gravity and become something more than illusion?