REMNONREM (The room of performers in burnout)

PRELUDE
«the maintenance of an antagonism within a complementarity is a condition of fruitfulness in matters of complexity»
(E. Morin “La connaissance de la connaissance”, 1986)
Performance that stages the themes of loss, rebirth and death, celebrating the life cycle through the body and its gestures. Through the dynamics of the movement of the Body and its gradual exhaustion, we intend to represent the sense of transience and ephemerality that looms, but also the spiral circularity, beyond the scene, of the space of presence of the feminine creative energy.
The representation of the clone with its disturbing and prophetic eschatological value becomes not a simple ploy recalling duality, but rather a binary metaphor of generative "complex circuits and short circuits".
The electric wire here becomes a bridge element capable of connecting knowledge, of grasping and untying the links between complex processes and phenomena and, again, between real and imaginary, dream and waking life, holding the complex together (complexus), that is, woven or held Together.