Martha Stewart and The Bigamist

A separated dad's worst nightmare comes to life when a black widow serial killer forces him into marrying her before his divorce is final.

  • L. E Coleman
    Writer
  • Project Type:
    Screenplay
  • Genres:
    comedy, dramedy
  • Number of Pages:
    108
  • Country of Origin:
    United States
  • Language:
    English
  • First-time Screenwriter:
    No
  • Student Project:
    No
  • The 2022 Culver City Film Festival

    November 30, 2022
    Official Selection
Writer Biography - L. E Coleman

Larry E. Coleman is a screenwriter from Indianapolis, Indiana. He loves writing sci-fi and character-driven dramas that shine a spotlight on the human condition and many of the social ills that plague our society. He was a Roadmap Writers Diversity Initiative Recipient in 2018 and was accepted into the International Screenwriters Association Development Slate in 2020. The ISA selected him as one of the Top 25 Screenwriters to Watch in 2021. He has placed in many screenplay competitions to date, including a first-place win in the 2021 Script Summit Screenplay Competition for his animated comedy, The Magnificent Harry Fly. He has other placements in The Austin Film Festival, The Final Draft Big Break Contest, The Scriptapalooza Screenplay Contest, and the PAGE. His drama, Little Boys, a story dealing with male sexual abuse, placed in the top 15% of the 2019 Nicholl Fellowship.

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Writer Statement

Before beginning a screenwriting career, I held various positions with the Indiana Family and Social Service Administration, The Indiana Department of Mental Health and Addictions, and the Indiana Department of Workforce Development. From my experiences working with diverse populations attempting to overcome tremendous barriers, I co-founded Crowner-Coleman Publishing, a small press dedicated to writing self-help material dealing with relationships, child custody, and co-dependency. Nonfiction writing led me to write fictional stories with purpose, leading me into the world of screenwriting.
My background allows me to write from a panoramic view about the many social ills I see in society. Thus, many of my scripts deal with sensitive topics such as race relations, the judicial system, and sexual abuse. However, everything is not doom and gloom, and, as one good book says, “A cheerful heart doeth good like a medicine.” No writer is one-dimensional, and I love writing stories that generate laughter, and the more insane, the better. I sometimes take a gut-wrenching drama and mix it with a bit of comedy. Sometimes it’s better to laugh than cry or cry and laugh simultaneously.